Directed by George Archainbaud
Produced by Herman Schlom
Written by Norman Houston
Director Of Photography: J. Roy Hunt
Music by Paul Sawtell
Film Editor: Desmond Marquette
CAST: Tim Holt (Ross Taylor), Richard Martin (Chito Jose Gonzalez Bustamonte Rafferty), Jane Nigh (Stella), John Doucette (Bat), House Peters, Jr. (Rod), Inez Cooper (Anita Castro), Julien Rivero (Philipe), Ken MacDonald (Sheriff Carrigan), Vince Barnett (Pokey), Robert Peyton (Del), David Leonard (Padre), Tom Monroe (Dimmick).
Here at 50 Westerns From The 50s, Tuesday belongs to Tim Holt.
When an earthquake hits Mexico, Senorita Anita Castro (Inez Cooper) organizes a relief effort in Arizona. Loading a mule train with donations of all sorts — including gold, silver and jewels — she heads toward the border. A gang of thieves, headed by John Doucette and House Peters, Jr. and assisted by Jean Nigh, get wind of Anita’s plan and plot to steal the treasure. Tim (called Ross Taylor this time) and Chito (Richard Martin) end up involved, of course — and lots of riding and shooting ensue.
Border Treasure (1950) is one of the later RKO Holts, and I’ve always considered it one of the stronger entries in the series. First, the bad guys are terrific — and Nigh has a good role as Stella, the saloon girl who falls in with John Doucette and House Peters, Jr. There’s a great, extended saloon fight between Holt and Doucette. And Richard Martin adds a nice touch as he shows compassion for Mexico and its people following the earthquake. (This one has Tim and Chito doing some real ranch work, mending fence, which I always find a cool addition. Come to think of it, Tim does the work — Chito conveniently disappears.)
This time, George Archainbaud directs. He got his first director credit in 1917, and spent much of his career at RKO. His The Lost Squadron (1932) is excellent. Archainbaud got heavily into TV in the 50s, with much of his work coming from Gene Autry’s Flying A Productions. For a while, he was alternating between Gene’s TV show and later features (including 1953’s Last Of The Pony Riders, which turned out to be Gene’s Autry’s final film).
Director of Photography J. Roy Hunt spent a number of years at RKO, where he shot Val Lewton’s I Walked With A Zombie (1943), The Devil Thumbs A Ride (1947) and Mighty Joe Young (1949) — in between many of these Holt films. Hunt retired not longer after the Holt series came to an end, never making the transition to television that kept so many of his contemporaries employed well into the 1960s.
These RKO Holts make great use of Lone Pine’s Alabama Hills, perhaps rivaled only by Budd Boetticher and Randolph Scott’s Ranown Cycle. Some work for Border Treasure was also done at the area’s Anchor Ranch. The RKO Ranch in Encino and the beautiful San Fernando Mission of L.A.’s Mission Hills district are also featured. (Boy, I gotta get out to California — my Points Of Interest list is getting longer and longer.)
Border Treasure is one of 10 Holt pictures in Warner Archive’s Tim Holt Classic Western Collection Volume 3 — and it’s a beautiful thing from logo to logo. The Lone Pine scenes are sharp and bright, with a real feeling of depth. I’d love to take a frame from one of the Lone Pine scenes and hang it on my wall (over the sofa would be nice) — and this transfer seems sharp enough to let me do it.
In the early days of this blog, the Holt RKOs were high on our want lists. To have them presented like this is more than I expected. To say I highly recommend this — the DVD-R set or the movie itself — would be ridiculously redundant at this point.