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Searchers screenng 1

Short notice, for sure. But certainly worth your while. And I’d be wasting my time to think I needed to tell you how great this film is.

Click on either image for ticket information.

Searchers screenng 2

Gail Davis signed photo

All of us in the 50s Westerns From The 50s bunkhouse are really excited about this latest project from VCI: The Annie Oakley TV Collection. My daughter Presley really really digs this show.

Working with Gail Davis’ daughter Terrie, VCI promises plenty of photos and other memorabilia, and there’s a documentary is in the works.

The show ran from 1954-57 in syndication, produced by Gene Autry’s Flying ‘A’ Productions. If Gail Davis isn’t cool enough for ya, episodes featured folks like Slim Pickens, Lee Van Cleef, L.Q. Jones, Denver Pyle and James H. Griffith. And one of our favorites, Ray Nazarro, directed about a dozen of the 81 episodes.

Release-wise, Annie and Target should come riding into your living room this fall.

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A huge friend of this blog, Laura, traveled to Lone Pine and sent this along. Real life has been keeping me from spending as much time on the blog as I’d like, so thanks to Laura for adopting a Tim Holt Tuesday.

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A while back, I brought up an exclusive at Collector’s Choice on some Alan Ladd pictures from Warner Archive. Well, that arrangement has about run its course, and those titles will soon be available through normal Warner Archive channels.

Drum Beat (1954)
Directed by Delmer Daves
Starring Alan Ladd, Audrey Dalton, Charles Bronson and Elisha Cook, Jr.

The Big Land (1957)
Directed by Gordon Douglas
Starring Alan Ladd, Virginia Mayo, Edmond O’Brien, Anthony Caruso, Julie Bishop and John Qualen.

Guns Of The Timberland (1960)
Directed by Robert D. Webb
Starring Alan Ladd, Jeanne Crain, Gilbert Roland and Frankie Avalon

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There’s another exclusive, this time with Oldies.com, on a couple Allied Artists CinemaScope Westerns to be released July 15.

Oregon Passage (1958)
Directed by Paul Landres
Starring John Ericson and Lola Albright
Paul Landres made some solid low-budget Westerns (Frontier Gun, for instance), so I have high hopes for this one. Incidentally, it’s working title was Rio Bravo. Wonder how the change in title went down, with Howard Hawks’ own Rio Bravo in production around the same time?

Gunsmoke in Tucson (1958)
Directed by Thomas Carr
Starring Mark Stevens and Forrest Tucker
I’ve been on the lookout for this one for quite some time, which goes into familiar range war/brothers-on-opposite-sides-of-the-law territory. I’d also love to see Carr’s The Tall Stranger (1957), starring Joel McCrea and Virginia Mayo, turn up on DVD.

RIP, Eli Wallach.

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Eli Wallach
(December 7, 1915 – June 24, 2014)

One of our finest character actors has passed away. You know, not just anybody could steal a three-hour Western from Clint Eastwood and Lee Van Cleef.

An ugly day indeed.

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Bill Hunt at The Digital Bits has a bit more news on the status of John Wayne’s The Alamo (1960):

“… I was up in L.A. checking out Robert Harris’ recent restoration tests of The Alamo with my own two eyes. Despite what MGM has claimed officially, let me assure you, having now seen the tests firsthand – which the studio has apparently not done yet for some strange reason (and how weird is that?) – this film is in serious need of restoration. The good news, however, is that I’ve also seen tests of how good the film could look like if given a restoration. The result would easily be worth theatrical presentation and a solid Blu-ray release. So keep spreading the word and keep the pressure on the studio. Fingers crossed.”

UPDATE: Robert Harris has clarified things with a post at Home Theater Forum:

“Sorry. A bit confusing. Nothing is occurring. Merely shared the tests which we did a month or so ago with a few people. And for the record, the roadshow version of the film is gone, as far as film or theatrical is concerned. Only the general release version has a chance of being decently preserved, but not at full quality. Too late.”

There’s nothing I can type here that will get across how sad and angry this makes me. Thanks to Paula for bringing this to my attention.

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Directed by Lewis Collins
Produced by Vincent M. Fennelly
Written by Sid Theil
Photographed by Ernest Miller, ASC
Film Editor: Sam Fields, ACE
Music by Raoul Kraushaar

CAST: Wild Bill Elliott (Tack Hamlin), Mary Ellen Kay (Lucy Taylor), Robert Bray (Gene Smith), Stanford Jolley (Matt Taylor), Henry Rowland (Mayor Winch), Myron Healey (Brett), George Wallace (Brewer), Fuzzy Knight (Strummer), Zon Murray (Bill), Richard Avonde (Artie), Michael Colgan (Jamison), Denver Pyle (Sperry), Lee Roberts (Wilson), John James (Jed Hamlin).

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Things have gotten so bad that the citizens of Pinetop have formed a vigilante committee to maintain order, but the Brewer gang continues to operate. (And the vigilantes seem almost as bad as the outlaws.) Tack Hamlin (Wild Bill Elliott) comes to town and is soon recruited for sheriff, and he gets right to work, trying to stop both the bandits and the masked vigilantes. Turns out that Brett (Myron Healey), who owns the saloon, leads both the outlaws and the vigilantes, planting false evidence to avoid suspicion.

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As far as I can see, this town is full of bad shots and bluster.”
— Wild Bill Elliott

This is a good entry in the series of Westerns Elliott made for Monogram/Allied Artists near the end of his career. By this point, his “peaceable man” persona was well established, and he goes about his business with his typical cool determination. The sequence about halfway through the picture, as Elliott the newly-appointed sheriff cleans up the town, is terrific. Later, the vigilantes drag Elliott and Fuzzy Knight to the hanging tree, making for a very tense scene that illustrates just how tough the B Western became in its final years. What’s more, in the climax, one of the Brewer gang is shot in the face!

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Fuzzy Knight is great as Elliott’s old friend and deputy. They have a good chemistry together. Mary Ellen Kay does well with a pretty limited part, and makes quite an impression toward the end when she picks up a gun. The badguys, from Myron Healey to George Wallace to Denver Pyle, have locked horns with Elliott before. Same thing behind the camera, from the director (Lewis Collins) to the writer (Sid Theil) to the editor (Sam Fields) and on down the line. Of course, we all know the familiar Iverson and Corriganville locations.

Vigilante Terror is not available on DVD, though it’s one Warner Archive will probably get around to one of these days (that’s a hint, Matt). Watch for it.

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