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Archive for the ‘Sterling Hayden’ Category

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Three excellent little 50s Westerns, previously part of multi-disc sets, are now available as stand-alone discs from VCI and Kit Parker Films. All three are highly recommended.

Hellgate (1952)
Directed by Charles Marquis Warren
Starring Sterling Hayden, Joan Leslie, Ward Bond, James Arness and Peter Coe

Shotgun (1955)
Directed by Leslie Selander
Starring Sterling Hayden, Yvonne De Carlo, Zachary Scott, Guy Prescott and Robert J. Wilke

Four Fast Funs (1960)
Directed by William J. Hole, Jr.
Starring James Craig, Martha Vickers. Edgar Buchanan, Brett Halsey and Paul Richards

4 fast guns

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If I ever had the chance to organize a 50s Westerns retrospective (something I’d love to do), this is certainly one of the evenings I’d set up: Fritz Lang’s Rancho Notorious (1952) paired with Nick Ray’s Johnny Guitar (1954). I can’t think of a better night at the movies.

It’s especially cool that Rancho Notorious is a 35mm print. If you make it out to The Castro Theatre in San Francisco on April 23, have a box of Raisinets for me.

Screen shot 2014-04-02 at 10.48.37 PM

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alamo-last command

It’s been mentioned on this blog a number of times that Olive Films have removed some key Republic titles from their list of future releases — The Last Command (1955, note the retitled card above) being one of them. Among the reasons for ditching these titles is that the Trucolor materials can be difficult, and costly, to prepare for release.

However, when Trucolor Republics like Hellfire (1949), The Outcast (1954) or A Man Alone (1955) show up on TV, they look fine. Not spiffy enough for Blu-ray, for sure, but good enough for a DVD release I’d be happy to have in my collection.

Richard W. commented the other day that we should reach out to a Mr. Lime on the Home Theater Forum about these titles, pointing out that we’d be standing at the ready, cash in hand, for these films.

At a time when so many of us are writing to our politicians about healthcare, national parks and pay for the military, why not squeeze in a quick note to the HTF about Hellfire?

hellfire1949quad

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LASTCOMMAND112

Today was my mom’s birthday. She was a Texan, and The Last Command (1955) is a film she loved. Here are a few still from it.

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Of course, it’s Republic’s take on the story of the Alamo, directed by Frank Lloyd — made after John Wayne left the studio.

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Sterling Hayden is Jim Bowie, Richard Carlson is William Travis, Arthur Hunnicutt is Davy Crockett and J. Carroll Naish is Santa Ana. Ernest Borgnine, Jim Davis, John Russell and Slim Pickens are also in it.

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It doesn’t have the spectacle of Wayne’s The Alamo (1960), but I recommend it highly. So does my mom. Olive Films needs to give it a DVD and Blu-ray release.

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Picture 22

According to the Sweetwater Reporter, this would’ve been a good weekend to be in Sweetwater, Texas. It was probably hot as blazes, but there were sure plenty of cool movies to see.

I know it’s not a Western, but Republic’s Hell’s Half Acre (1954) has to be seen to be believed. Olive Films has given you the chance — it’s out on DVD and Blu-ray.

My wife has been doing some research on my family’s history and came upon a great online Texas newspaper search tool. Obviously, I’m using it for a different purpose.

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Picture 49

The first drive-in theater, a 400-car outfit in Camden, New Jersey, opened 80 years ago today.

In the 50s, Westerns and monster movies ruled the drive-in. I’ve never seen a 50s Western at the drive-in, and I’m awed by the very thought of something like Pillars Of The Sky (1956) taking up my entire windshield. (I did take in a twin-bill of the two Terence Hill Trinity flicks at Raleigh’s Forest Drive-In, just a few weeks after moving here in 1974.)

Which 50s Westerns did you see under the stars?

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I’m really happy to have been involved, even to a tiny extent, with the CD release of a couple of 50s Western scores — Paul Dunlap’s score for Hellgate (1952) and Bert Shefter’s music for The Tall Texan (1953) — from David Schecter’s label Monstrous Movie Music. Both are Lippert pictures, available on DVD from Kit Parker and VCI.

Over the course of his career, Paul Dunlap scored over a hundred films, mostly B movies of various sorts — from I was A Teenage Werewolf (1957) to Shock Corridor (1963). There were lots of Westerns: Jack Slade (1953), Stranger  On Horseback (1955), The Quiet Gun (1956) and Oregon Trail (1959), to name just a few. While Dunlap wasn’t a big fan of some of the films he worked on, his name’s on some films I love. Every seen Big House U.S.A. or Shack Out On 101 (both 1955)?

Hellgate is an excellent film, a low-budget reworking of John Ford’s Prisoner Of Shark Island (1936). Sterling Hayden, Ward Bond, Joan Leslie and James Arness are directed by Charles Marquis Warren. It’s obvious Dunlap liked this film, and he came through with a terrific score. The CD presents the music in sequence, cue by cue, from a set of original acetates (a few cues have been lost to time). Dunlap’s score for The Lost Continent, a 1951 sci-fi picture starring Cesar Romero, is also included.

1974_Cover__Main_Page_Bert Shefter was a Russian-born concert pianist and conductor. He scored his first film in 1950 and by the time he retired, had more than 60 movies and hundreds and hundreds of TV shows to his credit. His scores include Cattle Empire (1958), Return Of The Fly (1959) and Faster, Pussycat! Kill! Kill! (1965). His work on It! The Terror From Beyond Space (1958) really knocked me out. Like Dunlap, Shefter never coasted, never give less than 100% — even if if the picture didn’t really deserve it.

The Tall Texan was directed by Elmo Williams, the Oscar-winning editor of High Noon, and shot by Joseph Biroc. A solid, low-budget 50s Western (it cost just $100,000), it stars Lloyd Bridges, Marie Windsor and Lee J. Cobb. Shefter gives themes to several of the main characters, including a menacing piece for the Indians, and makes good use of a couple popular tunes, “Yankee Doodle Dandy” and “Blow The Man Down.”

I really like these films, and it’s easy to recommend these CDs. Monstrous Movie Music has assembled a nice package, with thorough notes and some fascinating archival material. David Schecter says that if these titles do well, there are other 50s Western scores he’d like to get around to. Let’s help make sure he can.

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Gun Battle Monterey LC

Sterling Hayden
(March 26, 1916 – May 23, 1986)

Let’s remember one of my favorite actors on what would’ve been his 97th birthday.

The fact that Hayden claimed he was acting only because the money was good, and would support his love of sailing, didn’t keep him from making some great films — The Asphalt Jingle (1950), Nicholas Ray’s Johnny Guitar (1954), The Killing (1956), Dr. Strangelove (1964),  The Godfather (1972), etc. — and appearing in a string of medium-budget 50s Westerns like Gun Battle At Monterey (1957). What a fascinating man he was. His books, the autobiography Wanderer and novel Voyage, are still in print.

He’s seen above in Gun Battle At Monterey with Lee Van Cleef and Ted de Corsia. What casts some of these cheap things had!

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Here’s The Longboards, a Surf band from Bilbao, Spain, doing a beautiful cover of Peggy Lee and Victor Young’s theme from Johnny Guitar (1954). The Norwegian band The Spotnicks released a great version of this back in 1962.

And since we’re on the subject of Johnny Guitar, here’s an interview with Ernest Borgnine where he brings it up.

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3h10toyuma2

Blake Lucas pointed this out, and it’s certainly worth highlighting here — 3:10 To Yuma (1957) has been added to the National Film Registry by the Library Of Congress.

It’s the seventh 50s Western to make the Registry, the others being High Noon (1952), Shane (1953), The Naked Spur (1953), Johnny Guitar (1954), The Searchers (1956) and The Tall T (1957). While you can maybe argue the titles (I would’ve gone with Winchester ’73), you certainly can’t complain about the directors they’ve chosen to honor.

So when’s Rio Bravo (1959) gonna get in there?

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