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Archive for the ‘Richard Widmark’ Category

Rex and Roy

Rex Allen and Roy Rogers, somewhere on the Republic lot.

Mara Corday Raw Edge cropped

Mara Corday studies the Raw Edge (1956) screenplay.

backlash-bts-cropped 2

Donna Reed and Richard Widmark at work on Backlash (1956). That’s John Sturges obscured in the ball cap.

douglas-hawks-big-sky SIZED

Howard Hawks shows Kirk Douglas how to do a fight scene for The Big Sky (1952).

ronald-reagan-barbara-stanwyck-cattle-queen

Ronald Reagan and Barbara Stanwyck discuss the arms situation on the set of Cattle Queen Of Montana (1954).

Satchel Paige and Robert Mitchum in The Wonderful Country with Julie London

Satchel Paige and Robert Mitchum shoot the breeze between takes on The Wonderful Country (1959).

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Turner Classic Movies and Universal have come through with exactly the kind of set many of us have been waiting for. Western Horizons: Universal Westerns Of The 1950s brings together five excellent examples of why Universal was top gun in Hollywood in the 50s. The absolutely essential set, slated for release on February 18, 2013, will include:

Horizon’s West (1952) stars Robert Ryan and Rock Hudson as brothers on opposite sides of the law. Directed by Budd Boetticher, it costars Julie Adams.

Saskatchewan (1954) gives us Alan Ladd, Shelley Winters, J. Carrol Naish and Jay Silverheels in a Canadian mounties picture directed by Raoul Walsh.

Dawn At Socorro (1954) stars Rory Calhoun, Piper Laurie, Lee Van Cleef and Skip Homeier and was directed by George Sherman. (Love that Reynold Brown artwork, above.)

Backlash (1956) puts Richard Widmark, Donna Reed, William Campbell, and Edgar Buchanan in the capable hands of John Sturges.

Pillars Of The Sky (1956) from George Marshall is a CinemaScope cavalry picture with Jeff Chandler, Dorothy Malone, Ward Bond and Lee Marvin.

Universal made so many worthwhile cowboy movies in the 50s — and this is a good lineup. Let’s hope it’s the first of many.

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I’m really intrigued by the new book by Nick Adams and his daughter, Allyson — The Rebel And The King. Turns out Nick Adams had written a manuscript about his time hanging out with Elvis around the time of Love Me Tender (1956).

Allyson discovered it among her dad’s belongings over 40 years later. You can read more about the book’s background here.

Here’s a brief excerpt, concerning Nick, Elvis, Natalie Wood and Delmer Daves’ The Last Wagon (1956) —

“While in Hollywood, Nat, Elvis and I went to see a private showing of my biggest part to date, The Last Wagon, at the Academy Theatre on Melrose Avenue. When my name came on the screen in large letters I started to cry because to me it was something I had worked eight hard years to achieve. For a second, my mind flashed back to all the hard times my family had. I have wanted many things in my life. Probably the main reason is because I have always been a peasant. Perhaps my opinion of my ability is overrated, but I think I can go places with a little push. If I don’t succeed I’ll probably end up behind the eight ball and possibly a bum. Maybe I won’t ever have money, but I don’t know, if I succeed I’ll be on top of the world. And now seeing my name on the screen meant that maybe someday I would be able to give my parents all the things they never had, just the way Elvis helped his parents.

Natalie leaned over and kissed me on the cheek because she knew I felt. Then I felt someone touch me on the shoulder and when I looked over and saw Elvis, he said, ‘I know how you feel, Nick.’ That was one of the greatest nights of my life, to know that I had two such wonderful friends who really understood me.”

Elvis Presley, Natalie Wood and Nick Adams.

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The first drive-in theater opened on this day back in 1933 in Camden, New Jersey. By the 50s, there were thousands of drive-ins in the U.S. And, of course, Westerns and monster movies were their bread and butter.

Thanks to Jennifer and Dick for the images. Have you seen today’s Google Doodle?

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Last night, someone brought up Delmer Daves’ The Last Wagon (1956), which made me think of Richard Widmark tied to the wagon wheel. It’s one of those movie images that has really stuck with me over the years — in a movie that’s tough and brutal and well-paced. All the stuff you want in a 50s Western. Oh, and it’s got Timothy Carey in it. Enough said.

Further proof that 1956 was the year for Westerns.

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