Feeds:
Posts
Comments

Archive for the ‘Rhonda Fleming’ Category

Griffith in Bullwhip

James H. Griffith
(February 13, 1916 – September 17, 1993)

Here’s to one of my favorite character actors on his birthday. James Griffith is seen here with Guy Madison in Bullwhip (1958), which also starred Rhonda Fleming.

I knocked out a profile on Griffith a few years ago. You can find it here. Whether it’s a 50 Western, Dragnet or even an episode of B.J. And The Bear, he’s always worth watching.

Read Full Post »

TennesseesPartner title cropped

I really love Allan Dwan’s Tennessee’s Partner (1955).

apa32

I’ve always enjoyed Dennis’s blog dedicated to the Iverson Movie Ranch. It’s a frequent stop for me. Earlier this month, he posted some stuff on Tennessee’s Partner (1955) and its extensive use of the Iverson Ranch. Cinematographer John Alton did a masterful job on this one, and I doubt the ranch ever looked better than it did here.

If you’re new to this blog, be prepared to lose an hour or two or three.

Read Full Post »

Gunfight at the OK Corral RLC

VistaVision is a wonderful thing on Blu-ray, and here’s one I’ve been waiting for — Gunfight At The O.K. Corral (1957).

It’s coming from Warners and Paramount on March 11, 2014. Also on the way are a couple John Wayne – Howard Hawks pictures, Hatari! (1962) and El Dorado (1967).

Thanks for the tip, Paula.

Read Full Post »

Allan Dwan sketch cropped

Director Allan Dwan’s career was as old as the Movies themselves, and many of the early technical developments were his doing. Going into the mid-50s, he was still making innovative, unique, personal films — usually for smaller studios that would leave him alone and let him do what he did best.

I went Wig City over Allan Dwan’s films of 50s, thanks to DVDs of his work from VCI, and that helped spawn this blog. So I was really stoked to hear about The Museum of Modern Art’s Dwan series — which will include several of those Westerns.

From the MoMA web site: The Museum of Modern Art presented a major retrospective of Dwan’s films in 1971, with Dwan in attendance, and while another exhibition was certainly due after 42 years, this series was prompted by the publication of Frederic Lombardi’s definitive study of Dwan’s work, Allan Dwan and the Rise and Decline of the of the Hollywood Studios (McFarland, 2013).

If you can make it to any of these, by all means do so. The Westerns are:

June 14-15, 18
Frontier Marshal (1939)
With Randolph Scott, Nancy Kelly, Cesar Romero, John Carradine, Ward Bond.
This was once almost impossible to see (the bootleg tape I had of it was impossible to see). Another take on the O.K. Corral story. I prefer Randolph Scott with more age on him, but this is a really cool film.

984fem111

June 24-25
Woman They Almost Lynched (1953)
With Audrey Totter, Joan Leslie, John Lund, Brian Donlevy, Ben Cooper.
Dwan made a string of films for Republic that are worth seeking out (Olive Films, you reading this?), with Sands Of Iwo Jima (1949) being the best known. Dwan approaches this as a spoof — evidently, he didn’t see any other way — and the results are terrific.

June 29-30
The Restless Breed (1957)
With Scott Brady, Anne Bancroft, Jim Davis, Scott Marlowe, Evelyn Rudie.
Dwan’s last Western. A revenge tale gets a light comic touch.

Picture 45

July 3,5
Tennessee’s Partner (1955)
With John Payne, Rhonda Fleming, Ronald Reagan, Coleen Gray.
John Alton’s Superscope cinematography almost steals the show, making the Iverson Ranch look like the most beautiful place on earth.

July 3, 6
Silver Lode (1954)
With John Payne, Dan Duryea, Lizabeth Scott, Harry Carey, Jr.
A key 5os Western, and the damnedest McCarthy comment you’ve ever seen. Again, Alton and his cameras roam the ranches of Hollywood to amazing results.

Be sure to look at the complete listing. I highly recommend Slightly Scarlet (1956), an incredible Technicolor, Superscope film noir shot by John Alton.

Thanks to Stephen Bowie.

Read Full Post »

One of our knowledgeable friends out in Bloggywood maintains an amazing Flickr photostream — and it’s high time you were all introduced to it.

His name’s David Raynor from Stoke-On-Trent, Staffordshire, England, UK. He’s been uploading his collection of film stills, posters, handbills, scans and personal photographs — as TheBrinkswayBoy — providing us all with an incredible resource and hours of obsessive fun. David was a projectionist, so he’s not only got a ton of film paper, but he knows how these pictures were exhibited. (For instance, he solved the mystery of how Davy Crockett, King Of The Wild Frontier played theaters: 1.66. He knows because he ran it.)

A couple examples, chosen almost at random. Above, Rory Calhoun in George Sherman’s The Treasure Of Poncho Villa (1955), is a scanned frame from a Technicolor SuperScope print. (Be sure to read his comments for a lesson in anamorphic processes.)

Below is Rhonda Fleming in Bullwhip (1958). In his notes on this one, David even tells you when and where he saw it. By the way, Bullwhip was scored by the great character actor James Griffith.

There’s plenty more where these came from.

Read Full Post »

Follow

Get every new post delivered to your Inbox.

Join 164 other followers