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Archive for the ‘Republic’ Category

6twu

Directed by Allan Dwan
Screen Play by Steve Fisher
Photographed by Reggie Lanning
Film Editor: Fred Allen, ACE
Special Effects: Howard and Theodore Lydecker

CAST: John Lund (Lance Horton), Brian Donlevy (Charles Quantrill), Audrey Totter (Kate Quantrill/Kitty McCoy), Joan Leslie (Sally Maris), Ben Cooper (Jesse James), Nina Varela (Mayor Delilah Courtney), Jim Davis (Cole Younger), Reed Hadley (Bitterroot Bill Maris), Frank Ferguson.

Allan Dwan approached Woman They Almost Lynched (1953) as a parody. As he told Peter Bogdanovich, “If you treat that seriously, where would you be?”

Released a few months before Nick Ray’s Johnny Guitar (1954), and from the same studio, Republic, Dwan’s picture is just as personal. To me, it feels like he’s trying to see just how much he could get away with, really biting the hand that was feeding him. Maybe he was. His time at Republic was almost up, and he’d soon begin a terrific run with producer Benedict Bogeaus.

Olive Films has announced Woman They Almost Lynched for DVD and Blu-ray release in January. It’s good to see Olive come through with another key Republic title. As a huge fan of Dwan’s late-period work, I’d put this on the esential list. (At the same time, Robert Aldrich’s World For Ransom, released by Allied Artists in 1954 and starring Dan Duryea, will hit the streets.)

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Hellfire at BACOC Jan 20 flyer sized

This is something I’ve been wanting to put together for a very, very long time. Hellfire (1949) will run at Brooks Avenue Church Of Christ here in Raleigh, NC on January 20, 2015.

First, I shopped around for a 16mm print, but what I found was either black & white or the color’d turned pink. Then I figured I’d wait for a DVD or Blu-ray from Olive Films. No luck there, as it dropped off their release schedule. So I finally decided to go with the best-looking material I could find.

Elliott considered Hellfire his best film (he was one of the producers), and Marie Windsor always listed it as a personal favorite (along with The Narrow Margin and The Killing). Who am I to argue? It’s one of my favorite Westerns, a movie that gets better every time I see it.

Believe it or not, Republic sometimes paired Hellfire with Brimstone (1949), a Rod Cameron Western.

Thanks to Jim Briggs for designing the flyer.

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last bandit coming

This is a bit of a cheat. Came across this while researching something else and had to use it.

A post on The Last Bandit (1949) IS in the works, however.

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Hellfire TC

So far, the great cinematographer Jack A. Marta has hardly been mentioned here. I’m ashamed and with today’s Wild Bill Wednesday, I’m taking care of it. So many outstanding movies. What Price Glory (1926). The Night Riders (1939). Dark Command (1940). Flying Tigers (1942). Hellfire (1949). Trigger, Jr. (1950). Spoilers Of The Plains (1951). The Last Command (1955). The Bonnie Parker Story (1958). Cat Ballou (1965). Duel (1971).

On that last one, Steven Spielberg’s breakthrough TV movie Duel, Marta’s experience shooting outdoors in the desert helped get the thing completed on its 10-day schedule.

Steven Spielberg (from the excellent book Steven Spielberg And Duel: The Making Of A Film Career): “Jack was a sweetheart. He was just a kind, gentle soul who you know had never worked that fast in his entire career; none of us had, and yet there was nothing he didn’t do or couldn’t do, and he really enjoyed himself.”

No offense to Mr. Spielberg, but I have a feeling Duel‘s 10-day shoot, though exhausting, was probably nothing new for Marta, who’d done beautiful work on Republic’s tight schedules, in both black and white and Trucolor, and worked on plenty of television shows like Route 66 and Batman.

When Elliott co-produced Hellfire (below) for Republic release, a film he saw as a very special project (and considered his best film), Jack Marta was the director of photography. Was he randomly assigned the job by Republic, or did Elliott request him after working together on The Gallant Legion (1948) and the Trucolor The Last Bandit (1949)? (I’m getting pretty good at finding new ways to sneak Hellfire into this blog.)

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Elliott rodeo photo

Please forgive the quality of this photo. It’s William Elliott riding with kids in a Lubbock rodeo, August 1950. The news article mentions The Showdown (1950) as his latest picture.

wray-wildbill sized

Here’s Wild Bill in the early 50s with Link Wray and his Ray Men. Link (left) is the genius behind hugely-influential instrumental classics like “Rumble” and “Jack The Ripper.” It’s weird to see two of my heroes in the same picture like this. By the way, Link was from Dunn, North Carolina, which has finally organized a music festival in his honor.

Screen shot 2014-02-24 at 12.38.58 AM

Elliott gets ready for a take. To me, this looks like one of the later, bigger-budgeted Republics.

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wildbillelliot15-20 sized

Tim Holt Tuesdays have been a lot of fun, and people seem to like ‘em, so I’m adding Wild Bill Wednesdays to the week. Like the Holt day, it’s a not-quite-weekly way to call attention to William “Wild Bill” Elliott, a cowboy star who doesn’t get his due. (I realize I’m preaching to the choir here.) His later Westerns, the ones that followed the Red Ryder series, are particularly strong, and they’re what I’ll focus on (approximately 1946-54). Elliott’s career was a long one. He was a working character actor for years (often uncredited) before becoming a top-billed cowboy star, so I’ll be dealing with a tiny sliver of his filmography.

Of course, like most Republic pictures, Elliott’s are absent on DVD or Blu-ray. (Dear Olive Films: if you only knew how badly I want a Blu-ray of Hellfire.) The old VHS copies are decent-looking if you want to search ‘em out, and some of them turn up on The Westerns Channel or Netflix from time to time. (1954′s Bitter Creek is scheduled for TCM in June.)

But if you look beyond the Republics, the outlook’s brighter. Warner Archive’s given us a couple of the Monogram/Allied Artists Westerns (Fargo and The Homesteaders), and VCI put out the first of that series, The Longhorn (1951). Then there’s that cool detective series.

We’ll have a real post on Elliott next Wednesday.

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