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Archive for the ‘Ray Nazarro’ Category

AnnieOakley_Complete_f

Gail Davis is just wonderful as Annie Oakley, a part she was probably born to play. This upcoming set from VCI (due October 21) gives you all 81 Annie Oakley episodes, restored, with all sorts of extras: a documentary, the pilot, commercials, photo galleries and more.

Some terrific character actors rode through this series: Slim Pickins, Helene Marshall, James Best, John Doucette, James H. Griffith, Lee Van Cleef, Alan Hale Jr., Dickie Jones, Fess Parker, Clayton Moore, Denver Pile, LQ Jones, Glenn Strange and more. (Even Shelly Fabares!) And in the director’s chair from week to week, you might find the likes of George Archainbaud, Ray Nazarro, Earl Bellamy or John English. Produced by Gene Autry’s Flying A Productions, many of these folks were veterans of Gene’s movies and series. Then there’s Lone Pine locations and those beautiful double-action Colts.

We’re gonna get a lotta mileage out of this thing at my house. My daughter Presley really loves this show.

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durangokid

Here’s a thing on the Durango Kid I did for Classicflix, a quick guide to the few films in the series available on DVD.

Fred F. Sears and Ray Nazarro, whose work I really like, directed many of these, and I’d love to be able to really dive into the series.

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Gail Davis signed photo

All of us in the 50s Westerns From The 50s bunkhouse are really excited about this latest project from VCI: The Annie Oakley TV Collection. My daughter Presley really really digs this show.

Working with Gail Davis’ daughter Terrie, VCI promises plenty of photos and other memorabilia, and there’s a documentary is in the works.

The show ran from 1954-57 in syndication, produced by Gene Autry’s Flying ‘A’ Productions. If Gail Davis isn’t cool enough for ya, episodes featured folks like Slim Pickens, Lee Van Cleef, L.Q. Jones, Denver Pyle and James H. Griffith. And one of our favorites, Ray Nazarro, directed about a dozen of the 81 episodes.

Release-wise, Annie and Target should come riding into your living room this fall.

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White Squaw HS

Another low-budget Columbia 50s Western is always a welcome thing. The fact that The White Squaw (1956) was directed by Ray Nazarro (and that I’ve never seen it) makes this really good news. It stars David Brian, who you might remember from Dawn At Socorro (1954), and May Wynn, who was also in The Violent Men (1955).

It’s a Columbia Classics release — and it’s available now. (Thanks for the tip, Paula!)

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When it comes to The Durango Kid, I’ve really dropped the ball — especially given that the bulk of the series was directed by Ray Nazarro and Fred F. Sears. Charles Starrett made the first one, The Durango Kid, in 1940. (It’s available from VCI.) Columbia didn’t get around to The Return Of The Durango Kid till 1945. Making up for lost time, Columbia cranked out 62 more Durango Kid pictures before shutting down the series in 1952 — at which point Starrett retired from movies.

Trail Of The Rustlers (1950) has been announced as part of the Columbia Classics Collection, to be released on January 28. Starrett’s backed by a great cast this time around — Smiley Burnette, Gail Davis and Tommy Ivo (who later became a big-time drag racer). Starrett is doubled by Jock Mahoney, still a few years from being a Western star himself.

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A blogger friend of mine did a year-end wrap-up of his favorite DVD releases of the year. I think a lot of my friend, and imitation being the sincerest form of flattery, I decided to steal his idea. Here’s my Top Five. Comment away!

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5. Ambush At Tomahawk Gap (1953, Columbia) The work of Fred F. Sears, a prolific director at Columbia, deserves a look, and this is a tough, tight little Western that nobody seems to remember. John Derek’s good and Ray Teal gets a sizable part.

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4. Randolph Scott Western Collection (Various, TCM/Sony) Four Columbia Scotts — Coroner Creek (1948), The Walking Hills (1949), The Doolins Of Oklahoma (1949) and 7th Cavalry (1956, above) — go a long way toward making all his 40s and 50s Westerns available on DVD.

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3. Movies 4 You Western Classics (Various, Shout Factory) Four medium-budget 50s Westerns — Gun Belt (1953), The Lone Gun (1954), Gunsight Ridge (1957) and Ride Out For Revenge (1957) — for an amazing price.  I’d love to have a hundred sets like this.

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2. Shane (1953, Paramount) There was so much controversy about the aspect ratio — the studio-imposed 1.66 vs. the original 1.33 George Stevens shot it in — that we all forgot to talk about what a lovely Blu-ray was ultimately released (in 1.33).

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1. Showdown At Boot Hill (1958, Olive Films) This is probably the worst movie on this list, but my favorite release. The very thought of a Regalscope Western presented widescreen and in high definition makes me very, very happy. Olive Films promises the best of the Regals, The Quiet Gun (1956), in 2014 — which you can expect to see on next year’s list.

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Timeless Media Group has corralled all five seasons of The Gene Autry Show (1950-1955) into a single set for release on December 10.

GeneAutryShow_CompleteCEThis blog is not about TV. Other people know a lot more about it than I do and do a much better job covering it than I ever could. But when you’re familiar with the features, seeing how Gene transitioned from theaters to living rooms is fascinating — and in keeping with what happened to Gene’s career, and the Western itself, over the course of the decade.

When Autry stopped making features — the TV series began in 1950, the movies lasted into 1953 — he brought a lot of actors and crew over to the show. George Archainbaud, for instance, directed Gene’s last feature, Last Of The Pony Riders (1953), and TV shows throughout its run. William Bradford, who shot a number of the later features, did all but a handful of the TV shows. (How’d they pull all this off?) Many of the TV writers had also written for the Autry features at some point, including a single episode by brothers Dorrell and Stewart E. McGowan, who’d scripted one of Gene’s best, South Of The Border (1939). (They also wrote one of my favorite films, 1949’s Hellfire).

The shows really have the feel of an Autry feature. Shorter and cheaper, of course, with a plot that’s even more bare-bones than the movies — and usually limited to a single song. Each episode exists as its own entity, too. From one show to the other, Gene is everything from a rancher to a U.S. Marshall, it’s the Old West one week and the Fabulous Fifties the next, and sometimes Gene doesn’t even know his sidekick Pat Buttram. Gene was a great businessman, and he was smart enough to stick with a sure thing — whether it’s a cameraman or a formula.

Making my way through the series, what really struck me was the incredible stream of actors and actresses that turn up from week to week: Denver Pyle, Alan Hale, Jr. (who’s a sidekick for a while), James H. Griffith, Kermit Maynard, John Doucette, Fuzzy Knight, Lyle Talbot, Robert J. Wilke, Tom Tyler, Jack Ingram, Clayton Moore, Chill Wills, Glenn Strange, James Best, Francis Ford, Lee Van Cleef. Gloria Talbott, Nestor Paiva, Peggy Stewart, “Curly” Joe Besser, Tommy Ivo and a million more. (That has to be the longest sentence I’ve ever written.) Autry’s acting leaves a lot to be desired — though he’d come a long way since The Phantom Empire (1936), but he surrounded himself with some real pros, and they do wonders for these shows.

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You can’t help being knocked for a loop by the color episodes. Two first-season shows were done in color as an experiment and the fifth season is color all the way. The type of color isn’t identified — my guess would be Eastmancolor — and it looks pretty weird, a little blown out in spots. But that’s the fault of the original material, not something we can complain to Timeless Media Group about. It’s terrific to see Gene and Roy and Champion in color. These were transfered from Gene’s personal material and are spotless, with supplements like radio shows, photo galleries and commercials — along with an extra DVD that gives you episodes of other shows from Autry’s Flying ‘A’ Productions. Recommended.Gene Autry - GA rehearsing

Gene Autry at work on his TV show. Photo lifted from Steven Lodge’s blog.

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