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Archive for the ‘Raoul Walsh’ Category

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This one’s cool, folks. A 35mm print of Colorado Territory (1949) will run at San Francisco’s Yerba Buena Center For The Arts on Sunday, July 27 as part of their Invasion Of The Cinemaniacs series.

I don’t know about you, but Raoul Walsh’s Colorado Territory is one of my favorite Westerns. It’s the movie that made me go nuts over Joel McCrea. And Virginia Mayo is absolutely wonderful in it.

Jonathan Knapp, who looks at this blog on occasion, is the cinemaniac who picked it. Boy, do I wish I could get to this one.

And another thing: I’ve been waiting months to use that artwork (above)!

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Universal’s Vault Series is serving up a handful of 50s Westerns, basically taking the TCM Western Horizons set and selling them as single discs (available exclusively from Amazon).

Horizons West (1952) has Budd Boetticher directing Robert Ryan, Julie Adams and Rock Hudson in a Technicolor post-Civil War tale.

Saskatchewan (1954) puts Alan Ladd, Shelley Winters, J. Carrol Naish and Hugh O’Brian in the hands of the great Raoul Walsh.

Dawn At Socorro (1954) was directed by George Sherman, which is enough for me. Factor in Rory Calhoun, Piper Laurie, Mara Corday, Edgar Buchanan, Skip Homeier, James Millican and Lee Van Cleef, and you’ve really got something going.
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Pillars Of The Sky (1956) stars Jeff Chandler and Dorothy Malone. Support comes from Ward Bond, Olive Carey (both appeared in The Searchers the same year) and Lee Marvin. George Marshall directed in CinemaScope. I love this film.

Backlash (1956) comes from John Sturges and stars Richard Widmark, Donna Reed and William Campbell. Good stuff.

These will make a welcome addition to anybody’s collection, but what I want to know is: where are A Day Of Fury (1956) and Last Of The Fast Guns (1958)?

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Turner Classic Movies and Universal have come through with exactly the kind of set many of us have been waiting for. Western Horizons: Universal Westerns Of The 1950s brings together five excellent examples of why Universal was top gun in Hollywood in the 50s. The absolutely essential set, slated for release on February 18, 2013, will include:

Horizon’s West (1952) stars Robert Ryan and Rock Hudson as brothers on opposite sides of the law. Directed by Budd Boetticher, it costars Julie Adams.

Saskatchewan (1954) gives us Alan Ladd, Shelley Winters, J. Carrol Naish and Jay Silverheels in a Canadian mounties picture directed by Raoul Walsh.

Dawn At Socorro (1954) stars Rory Calhoun, Piper Laurie, Lee Van Cleef and Skip Homeier and was directed by George Sherman. (Love that Reynold Brown artwork, above.)

Backlash (1956) puts Richard Widmark, Donna Reed, William Campbell, and Edgar Buchanan in the capable hands of John Sturges.

Pillars Of The Sky (1956) from George Marshall is a CinemaScope cavalry picture with Jeff Chandler, Dorothy Malone, Ward Bond and Lee Marvin.

Universal made so many worthwhile cowboy movies in the 50s — and this is a good lineup. Let’s hope it’s the first of many.

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Coming on DVD and Blu-ray from Olive Films in August — Raoul Walsh’s Pursued (1947).

Cool, huh?

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Here’s a still from Raoul Walsh’s The Sheriff Of Fractured Jaw (1958), starring Kenneth More and Jayne Mansfield. It’s one I haven’t seen — and really want to.

Fractured Jaw came to mind after watching More in the true classic A Night To Remember (also 1958). Tucker McGuire is also in both films. A Night To Remember is a picture that really holds up — and doesn’t lose its impact — no matter how many times you’ve seen it.

What’s more, with its attention to detail and commitment to authenticity, it’s a fitting tribute to the 1,500 souls lost on the Titanic 100 years ago tonight. Watching it this evening was a powerful experience.

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Here comes another Walmat exclusive Blu-ray — Raoul Walsh’s The Big Trail (1930), the picture that gave some guy named John Wayne his first part in a big picture. It was an early experiment in 70mm widescreen cinematography. The process was called Grandeur — and it is breathtaking at times.

All of which make it a perfect Blu-ray release.

Hitting your local Walmart that same day (May 8th) is another Wayne Blu-ray, John Houston’s The Barbarian And The Geisha (1957) — a picture I can’t make myself like, no matter how hard I try.

 

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Been making my way through Julie Adams’ book The Lucky Southern Star, taking it slow so I can really enjoy it rather than blaze through it and wish it was twice as thick. I recommend the book highly.

It gets a lot of flak for various things, but I think The Lawless Breed(1952) is a terrific picture. You can’t team up Adams, Raoul Walsh, John McIntire and Rock Hudson and not come away with something worthwhile. It has a beauty to it, with a debt to Director of Photography Irving Glassberg, that makes it special. We can also thank Universal for giving it a lovely transfer for DVD.

In the book, Julie gives us this story about making the film:

“In one of the saloon scenes, a number of character actors were lined up drinking at the bar. One bearded fellow was puffing madly away on a giant cigar, with puffs of smoke rising up towards the ceiling. The camera was rolling, the scene was going on and suddenly our director shouted, “Cut! His muff is on fire!”

Could that be him in the shot below?

 

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