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Archive for the ‘Pre-1950’ Category

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John Ford’s shadow hangs over the Western to a huge degree. How huge? Well, My Darling Clementine (1946) is one of the finest Westerns ever made, yet I can think of several he made that I think are better.

But who cares what I think? Criterion is giving Ford’s tale of the O.K. Corral the treatment it deserves. It’s due in October on both DVD and Blu-ray. And that’s certainly something to hoot and holler about.

Thanks to Dick Vincent for the tip.

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This one’s cool, folks. A 35mm print of Colorado Territory (1949) will run at San Francisco’s Yerba Buena Center For The Arts on Sunday, July 27 as part of their Invasion Of The Cinemaniacs series.

I don’t know about you, but Raoul Walsh’s Colorado Territory is one of my favorite Westerns. It’s the movie that made me go nuts over Joel McCrea. And Virginia Mayo is absolutely wonderful in it.

Jonathan Knapp, who looks at this blog on occasion, is the cinemaniac who picked it. Boy, do I wish I could get to this one.

And another thing: I’ve been waiting months to use that artwork (above)!

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Directed by Ray Enright
Starring Joel McCrea, Alexis Smith, Zachary Scott, Dorothy Malone, Douglas Kennedy, Alan Hale, Victor Jory, Bob Steele, Art Smith, Monte Blue.

South Of St. Louis (1949), a rock-solid Joe McCrea picture, is due September 23rd from Olive Films on both DVD and Blu-ray. With gorgeous Technicolor from the great Karl Freund and a terrific score by Max Steiner, this remake of the James Cagney gangster picture The Roaring Twenties (1939) is a winner all the way. Released the same year as McCrea’s Colorado Territory, and just before Saddle Tramp and Stars In My Crown (both 1950), this is Joel McCrea at the top of his game.

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The climactic scene, with the bells on the three partners’ spurs jingling as they blast away, has to be one of the most satisfying wrap-ups in all of Westerns. Ray Enright made plenty of good Westerns in the 40s and 50s. Don’t want to start a big debate (or maybe I do), but I’d hold this one up as his best. Can’t wait for September!

Thanks for the tip, Laura!

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The sixth installment in Timeless Media’s Gene Autry series offers up four titles from Gene’s later years on the big screen.

The Strawberry Roan (1948)
Longer than usual and in Cinecolor, this is one of Autry’s best films. It plays a bit like Roy Rogers’ My Pal Trigger (1946), giving Champion a real chance to shine. Gloria Henry, Jack Holt and Pat Buttram co-star.

Rim Of The Canyon (1949)
Gene plays himself and his dad! Much of the film takes place in a ghost town and really pours on the atmospherics.

Barbed Wire (1952)
Gene and Pat Buttram find themselves caught between feuding ranchers and homesteaders.

Winning Of The West (1953)
One of Autry’s last co-stars Gail Davis and Smiley Burnette, as they battle crooks masquerading as Indians. (The photo up top is from this film.)

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This is a big, big deal. Warner Archive has come through with the fourth volume in their Tim Holt series, giving us the beginning, and end, of Holt’s time at RKO. It’s a three-disc, nine-movie set that includes Wagon Train (1940, which got the series off to a terrific start), The Fargo Kid (1940), Cyclone On Horseback (1941), Riding The Wind (1942), Land Of The Open Range (1942), Thundering Hoofs (1942), Overland Telegraph (1951) and Trail Guide (1952). 

Overland Telegraph (seen in the Mexican lobby card above) is a particularly good one, giving Holt and Richard Martin a top director, Lesley Selander, and really good cast to work with: Gail Davis, Hugh Beaumont (as the bad guy!), Mari Blanchard, George Nader and Robert J. Wilke.

The set is available now. Thanks to everyone at Warner Archive for their dedication to getting these wonderful little films out there.

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The folks at ClassicFlix let me write for them every once in a while. Here’s a piece on John Ford’s 3 Godfathers (1948), a pre-1950 Christmas Western that I love dearly, no matter how overly sentimental and sappy you might think it is.

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It’s also one of the most beautiful color movies ever made. Easy.

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It’s been mentioned on this blog a number of times that Olive Films have removed some key Republic titles from their list of future releases — The Last Command (1955, note the retitled card above) being one of them. Among the reasons for ditching these titles is that the Trucolor materials can be difficult, and costly, to prepare for release.

However, when Trucolor Republics like Hellfire (1949), The Outcast (1954) or A Man Alone (1955) show up on TV, they look fine. Not spiffy enough for Blu-ray, for sure, but good enough for a DVD release I’d be happy to have in my collection.

Richard W. commented the other day that we should reach out to a Mr. Lime on the Home Theater Forum about these titles, pointing out that we’d be standing at the ready, cash in hand, for these films.

At a time when so many of us are writing to our politicians about healthcare, national parks and pay for the military, why not squeeze in a quick note to the HTF about Hellfire?

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David Arrate earns a Name That Stock Footage badge for uncovering one of the many cost-cutting measures to be found in Masterson Of Kansas (1954), the best of William Castle’s Westerns for Sam Katzman’s unit at Columbia. Thanks, David.

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Harry Keller directing Audie Murphy and Joan O’Brien in Six Black Horses (1962).

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Ray Enright and Dorothy Malone on the set of South Of St. Louis (1949).

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Jesse Hibbs directing Gia Scala (left) and Joanna Moore (right) in the Audie Murphy picture Ride A Crooked Trail (1958).

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Sony Movie Channel is focusing on Westerns next month, with a terrific all-day marathon scheduled for Sunday, July 28 that should keep readers of this blog firmly planted on their sofas — or scrambling to make room on their DVRs.

The directors represented here — Boetticher, Sherman, Daves, Karlson, Castle, Witney — make up a virtual Who’s Who of 50s Westerns directors. The times listed are Eastern. Put the coffee on, it’s gonna be a long day!

4:40 AM Face Of A Fugitive (1959, above) One of those really cool, tough Westerns Fred MacMurray made in the late 50s. James Coburn has an early role, and Jerry Goldsmith contributed one of his first scores. It’s not out on DVD in the States, and the Spanish one doesn’t look so hot, so don’t miss it here.

6:05 AM Relentless (1948) George Sherman directs Robert Young, Marguerite Chapman, Willard Parker, Akim Tamiroff, Barton MacLane and Mike Mazurki. Shot around Tucson (and the Corrigan Ranch) in Technicolor. I may be in the minority, but I like Robert Young in Westerns.

7:40 AM A Lawless Street (1955) Joseph H. Lewis knocks another one out of the park, directing Randolph Scott and Angela Lansbury. This film doesn’t get the credit it deserves.

9:05 AM Decision At Sundown (1957) Part of Budd Boetticher and Randolph Scott’s Ranown cycle, this one tends to divide fans. I think it’s terrific. It’s certainly more downbeat than the others (Burt Kennedy didn’t write it), with Scott’s character almost deranged vs. the usual obsessed.

10:25 AM The Pathfinder (1952) Sidney Salkow directs George Montgomery in a low-budget adaptation of James Fenimore Cooper, produced by Sam Katzman. Helena Carter and Jay Silverheels round out the cast.

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11:45 AM Battle Of Rogue River (1954) William Castle directs George Montgomery (seen above with Martha Hyer) the same year they did Masterson Of Kansas. I’m a real sucker for Castle’s Westerns, so it’s hard to be objective here.

1:05 PM Gunman’s Walk (1958) Phil Karlson’s masterpiece? A great film, with a typically incredible performance from Van Heflin, that really needs to be rediscovered. Not available on DVD in the U.S. Don’t miss it.

2:45 PM They Came To Cordura (1959) Robert Rossen directs a terrific cast — Gary Cooper, Rita Hayworth, Van Heflin, Tab Hunter and Dick York. Set in 1916 Mexico, it has a look somewhat similar to The Wild Bunch (1969). Looks good in CinemaScope.

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4:55 PM Jubal (1956, above) Delmer Daves puts Othello on horseback. Glenn Ford, Ernest Borgnine, Rod Steiger, Valerie French, Charles Bronson, Jack Elam, Felicia Farr, Harry Carey, Jr. and John Dierkes make up the great cast. Charles Lawton, Jr. shot it in Technicolor and CinemaScope.

6:40 PM Arizona Raiders (1965) Wiliam Witney directs Audie Murphy in a picture that plays like a cross between a 50s Western and a spaghetti one. Murphy got better as he went along, and his performance here is quite good.

8:20 PM 40 Guns To Apache Pass (1966) Witney and Murphy again. This time around, Murphy is after a missing shipment of guns.

If all that’s not enough, there’s the Back In The Saddle sweepstakes, a chance to win a three-day dude ranch getaway. Check SonyMovieChannel.com to find out more.

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