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Archive for the ‘Nicholas Ray’ Category

6twu

Directed by Allan Dwan
Screen Play by Steve Fisher
Photographed by Reggie Lanning
Film Editor: Fred Allen, ACE
Special Effects: Howard and Theodore Lydecker

CAST: John Lund (Lance Horton), Brian Donlevy (Charles Quantrill), Audrey Totter (Kate Quantrill/Kitty McCoy), Joan Leslie (Sally Maris), Ben Cooper (Jesse James), Nina Varela (Mayor Delilah Courtney), Jim Davis (Cole Younger), Reed Hadley (Bitterroot Bill Maris), Frank Ferguson.

Allan Dwan approached Woman They Almost Lynched (1953) as a parody. As he told Peter Bogdanovich, “If you treat that seriously, where would you be?”

Released a few months before Nick Ray’s Johnny Guitar (1954), and from the same studio, Republic, Dwan’s picture is just as personal. To me, it feels like he’s trying to see just how much he could get away with, really biting the hand that was feeding him. Maybe he was. His time at Republic was almost up, and he’d soon begin a terrific run with producer Benedict Bogeaus.

Olive Films has announced Woman They Almost Lynched for DVD and Blu-ray release in January. It’s good to see Olive come through with another key Republic title. As a huge fan of Dwan’s late-period work, I’d put this on the esential list. (At the same time, Robert Aldrich’s World For Ransom, released by Allied Artists in 1954 and starring Dan Duryea, will hit the streets.)

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Directed by Joseph H. Lewis
Starring Peggy Cummings and John Dall

Okay, so it’s not a Western, it wasn’t made in the 50s and I’m giving you absolutely no time to make plans. It’s tomorrow.

But it’s Gun Crazy (1949). In 35mm. Here in Raleigh at the art museum.

We’ve sung the praises of Joseph H. Lewis on this blog many, many times: A Lawless Street (1955), Seventh Cavalry (1956), Terror In A Texas Town (1959), etc. Then there’s The Big Combo (1955) and The Rifleman. But it’s Gun Crazy (1949) he’s remembered for. Which is fine. It’s terrific from frame one to the final fade, and there’s that single-shot bank robbery that’s one of the coolest film sequences ever. (That’s Lewis with Dall and Cummings below.)

If you have a chance and you’re around here, go see it.

And to give you a bit more warning, next Friday it’s Nicholas Ray’s great On Dangerous Ground (1952).

Thanks for the tip, Beth!

GunCrazySetBaja

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Young Guns LC

For us Westerns fans, Warner Archive’s on a real roll this week. In addition to Nick Ray’s The Lusty Men (1952), and Randolph Scott, Angie Dickinson and James Garner in Shoot-Out At Medicine Bend (1957), there’s some good Allied Artists stuff available today.

The Young Guns (1956)
Directed by Albert Band
Starring Russ Tamblyn, Gloria Talbott and Perry Lopez

This one mixes the Western with your typical 50s juvenile delinquency tale, beating both The True Story Of Jesse James (1957, Ray again) The Left-Handed Gun (1958) to theaters.

A couple Allied Artists pictures that were Oldies.com exclusives are now standard Warner Archive titles: Oregon Passage (1957) and Gunsmoke In Tucson (1958).

And if that’s not enough, there’s Raton Pass (1951), Russ Tamblyn again in Son Of A Gunfighter (1965) and a couple spaghetti westerns, including one, Ringo And His Golden Pistol, from Sergio Corbucci. Told you it was a good week.

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This blog tends to stay away from modern-day Westerns (well, they were modern in the 50s). But I’ll certainly make an exception with this one: Nicholas Ray’s The Lusty Men (1952). It’s been announced for release from The Warner Archive on September 16. (Blake, I’m sure you’ll be stoked about this one.)

Robert Mitchum often dismissed his work, but this was one he had nice things to say about. Ray gets a terrific performance out of him, and he does the same with Susan Hayward and Arthur Kennedy. They say shooting began while the script was still being worked on, and that many scenes were worked out on the set as a result. However it all came together, it’s one of Ray’s and Mitchum’s best films. And that’s saying a lot. Highly recommended.

This is one of the handful of films I’ve held onto my laserdisc of, and I guess it can be retired now. Thanks for the tip, Paula.

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If I ever had the chance to organize a 50s Westerns retrospective (something I’d love to do), this is certainly one of the evenings I’d set up: Fritz Lang’s Rancho Notorious (1952) paired with Nick Ray’s Johnny Guitar (1954). I can’t think of a better night at the movies.

It’s especially cool that Rancho Notorious is a 35mm print. If you make it out to The Castro Theatre in San Francisco on April 23, have a box of Raisinets for me.

Screen shot 2014-04-02 at 10.48.37 PM

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According to the Sweetwater Reporter, this would’ve been a good weekend to be in Sweetwater, Texas. It was probably hot as blazes, but there were sure plenty of cool movies to see.

I know it’s not a Western, but Republic’s Hell’s Half Acre (1954) has to be seen to be believed. Olive Films has given you the chance — it’s out on DVD and Blu-ray.

My wife has been doing some research on my family’s history and came upon a great online Texas newspaper search tool. Obviously, I’m using it for a different purpose.

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Picture 2

Character Actor Of The Day is something I’ve been meaning to kick off for a while, and when discussion of the great Frank Ferguson (1899-1978) cropped up the other day, I knew I’d waited too long.

As a kid, I came to know Ferguson as Mr. McDougal, owner of the house of horrors in Abbott & Costello Meet Frankenstein (1948). Once he was on my radar, it became obvious he’s in just about everything (as a gauge, the IMDB gives him 600 credits). He’s seen here with Joan Crawford in Johnny Guitar (1954), one of the many 50s Westerns that benefitted from his (often-uncredited) presence.

The other day, Blake Lucas called Ferguson “essential,” and that’s the perfect word for him. Boy, I would’ve loved to interview him.

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