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Archive for the ‘MGM’ Category

Badlanders TC
Directed by Delmer Daves
Produced by Aaron Rosenberg
Screenplay by Richard Collins
From a novel by W.R. Burnett
Director Of Photography: John Seitz, ASC
Film Editors: William H. Webb and James Baiotto

CAST: Alan Ladd (Peter Van Hoek), Ernest Borgnine (John McBain), Katy Jurado (Anita), Claire Kelly (Ada Winton), Kent Smith (Cyril Lounsbery), Nehemiah Perdoff (Vincente), Robert Emhardt (Sample), Anthony Caruso (Comanche)

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Today’s post marks the 101st birthday of Alan Ladd (September 3, 1913 – January 29, 1964).

Warner Archive’s recent Alan Ladd releases got me on a bit of a Ladd kick, so I was eager to see The Badlanders (1958). A Western remake of The Asphalt Jungle (1950), directed by Delmer Daves, it pairs Ladd with Ernest Borgnine.

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The Dutchman (Ladd) and McBain (Borgnine) leave Yuma to settle a couple scores in Prescott: the Dutchman was framed for a gold robbery and McBain was cheated out of his gold-rich land. The Dutchman has a plan to retrieve a tremendous amount of gold ore from an abandoned mine, and he recruits McBain for the heist. The catch is, the marshall’s warned Ladd that he’d better be on the next stage outta town, which leaves the following evening. Things are further complicated by a crooked deputy, some really crooked businessmen and Katy Jurado and Claire Kelly. But, of course, as with The Asphalt Jungle, the heist itself is the centerpiece of the picture.

Delmer Daves made some of the finest Westerns of the 50s: Broken Arrow (1950), 3:10 To Yuma (1957) and The Hanging Tree (1959). The Badlanders doesn’t reach that level, but it’s a solid film that easily translates the heist picture to the Old West. Ladd and Borgnine are very good. Ladd’s cool as a cucumber throughout. Borgnine’s transformation from bitter inmate to loyal friend is played very well. Its failure could’ve sunk the film. Katy Jurado is beautiful—she and Borgnine became an item and were married a couple years later. (Borgnine spent some time watching her work on One-Eyed Jacks.) Oh, and Ladd and Borgnine remained friends till Ladd’s death.

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Daves always makes great use of his locations, and The Badlanders is no exception. The Yuma Territorial Prison plays itself. Various mines around Kingman, Arizona, were supposedly used. And Old Tucson has never looked better. I always get a kick out of seeing that bridge (from Buchanan Rides Alone, Rio Bravo and many more). The previous Daves/Ladd film, 1954’s Drum Beat, made great use of the Sedona area.

There is no composer credit for The Badlanders. It’s scored entirely with stock music. I don’t know of another film of this stature (Daves, Ladd, MGM) that uses recycled music. I’d love to hear the story behind that decision. Sometimes it works fine, sometimes it seems to have been chosen at random.

A fairly early effort from Warner Archive, The Badlanders looks great. Nice and sharp, and the color is strong. A full-frame trailer is included. Recommended.

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clasico01

Bill Hunt at The Digital Bits has a bit more news on the status of John Wayne’s The Alamo (1960):

“… I was up in L.A. checking out Robert Harris’ recent restoration tests of The Alamo with my own two eyes. Despite what MGM has claimed officially, let me assure you, having now seen the tests firsthand – which the studio has apparently not done yet for some strange reason (and how weird is that?) – this film is in serious need of restoration. The good news, however, is that I’ve also seen tests of how good the film could look like if given a restoration. The result would easily be worth theatrical presentation and a solid Blu-ray release. So keep spreading the word and keep the pressure on the studio. Fingers crossed.”

UPDATE: Robert Harris has clarified things with a post at Home Theater Forum:

“Sorry. A bit confusing. Nothing is occurring. Merely shared the tests which we did a month or so ago with a few people. And for the record, the roadshow version of the film is gone, as far as film or theatrical is concerned. Only the general release version has a chance of being decently preserved, but not at full quality. Too late.”

There’s nothing I can type here that will get across how sad and angry this makes me. Thanks to Paula for bringing this to my attention.

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UPDATE (6/3/2014): A Facebook community has been set up to spread the word and encourage MGM to get a restoration underway. Over 800 people have joined in two days. Please consider joining the ranks.

It’s hard to believe that John Wayne’s The Alamo (1960) is in danger of being lost. What’s doing it in? First, the natural breakdown of its original film elements. Second, MGM’s lack of interest in saving it, even if the public helped pitch in to pay for it. (If there was ever a reason for Kickstarter to exist, this is it.)

Read Robert Harris’ report on the elements and MGM’s crappy attitude here. And if a letter-writing or Facebook-flodding campaign gets going, hop on it.

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The folks at ClassicFlix let me write for them every once in a while. Here’s a piece on John Ford’s 3 Godfathers (1948), a pre-1950 Christmas Western that I love dearly, no matter how overly sentimental and sappy you might think it is.

3 Godfather DVD capture

It’s also one of the most beautiful color movies ever made. Easy.

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Picture 15

Why go to Walmart and get punched in the face over a cheap toaster when you can sit at home and buy cowboy movies? Click the image above and have at it.

And if you haven’t done it yet, do yourself a favor and get Westward The Women (1951). If nothing else, it’ll give you something to be thankful for next Thanksgiving.

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Don’t know if you’ve been naughty or nice, but one thing is certain: you people sure know your cowboy movies. Going through your responses for this year’s Want List, I was reminded of several films I’d forgotten. Thanks to everyone who played along.

The titles have been grouped by studio, according to their original release — independent productions such as The Hired Gun (1957) are with their distributor (MGM in this case). I’ve indicated the widescreen films (off the top of my head, not researched — sorry, it was really late).

20th Century-Fox
Canadian Pacific (1949)
Caribou Trail (1950)
The Gambler From Natchez (1954)
Pony Soldier (1952)
Sierra Baron (1958, Scope)
The Silver Whip (1953)

Allied Artists/Monogram
Arrow In The Dust (1954)
At Gunpoint (1955, Scope)
Bitter Creek (1954)
Dragoon Wells Massacre (1957, Scope)
Fargo (1952)
Jack Slade (1953)
Kansas Territory (1952)
Oregon Passage (1957, Scope)
The Rawhide Trail (1958)
The Tall Stranger (1957, Scope)
Wild Stallion (1952)

American International
Gunslinger (1956)

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Columbia
Ambush At Tomahawk Gap (1953)
Cripple Creek (1952)
Domino Kid (1957)
The Doolins Of Oklahoma (1949)
Face Of A Fugitive (1959)
Fury At Gunsight Pass (1956)
The Gunfighters (1947)
Gunman’s Walk (1958, Scope)
The Hard Man (1958)
Jack McCall, Desperado (1953)
Jesse James Vs. The Daltons (1954)
The Pathfinder (1953)
Reprisal! (1956)
Stage To Tucson (1950)
The Texas Rangers (1951)
The Walking Hills (1949)

MGM
Heaven With A Gun (1969)
The Hired Gun (1957, Scope)

Paramount
The Eagle And The Hawk (1950)
Flaming Feather
(1952)
Red Mountain (1951)

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Regal (all RegalScope)
Ambush At Cimarron Pass (1958)
Apache Warrior (1957)
Badlands Of Montana (1957)
Copper Sky (1957)
Frontier Gun (1958)
The Quiet Gun (1956)
Ride A Violent Mile (1957)
Showdown At Boot Hill (1958)

Republic
Brimstone (1949)
California Passage (1950)
Dakota Incident (1956)
Hellfire (1949)
Last Stagecoach West (1957, Naturama)
A Man Alone (1955)
Man Or Gun (1958, Naturama)
Ride The Man Down (1953)
The Road To Denver (1955)
Rock Island Trail (1950)
The Savage Horde (1950)
The Showdown (1950)
Stranger At My Door (1956)
Timberjack (1955)
Trail Of Robin Hood (uncut, 1950)
Woman They Almost Lynched (1953)

RKO
The Big Sky (1952)
Blood On The Moon (1948)
Great Day In The Morning (1956, SuperScope)
The Lusty Men (1952)
Run Of The Arrow (1957)
Treasure Of Poncho Villa (1955, SuperScope)

United Artists
Abilene Town (1946)
Beast Of Hollow Mountain (1956, Scope)
Gun Belt (1953)
Ride Out For Revenge (1957)

Destry

Universal (-International)
Apache Drums (1951)
Black Horse Canyon (1954)
Bronco Buster (1952)
A Day Of Fury (1956)
Day Of The Bad Man (1958, Scope)
Destry (1954)
Four Guns To The Border (1954)
Incident At Phantom Hill (1966, Scope)
Last Of The Fast Guns (1958, Scope)
The Lone Hand (1953)
The Man From Bitter Ridge (1955)
Man Without A Star (1955)
Money, Women And Guns (1958, Scope)
Rails Into Laramie (1954)
Raw Edge (1956)
Saddle Tramp (1950)
The Saga Of Hemp Brown (1959, Scope)
Showdown At Abilene (1956)
Slim Carter (1957)
The Spoilers (1956)
Stagecoach To Dancer’s Rock (1962)
Star In The Dust (1956)
Walk The Proud Land (1956, Scope)
The Yellow Mountain (1954)

Warner Bros.
The Big Land (1957, Scope)
The Bounty Hunter (1954)
Charge At Feather River (1953)
Drum Beat (1954, Scope)
Shoot-Out At Medicine Bend (1958)
South Of St. Louis (1949)
Sugarfoot (1951)

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If you judge it by the fact that some folks not only bothered to enter, but came through with the right answer, our first “Second Unit” contest was a success.

The image (seen below) was from the terrific Joel McCrea Western The Outriders (1950). What a gorgeous shot from director of photography Charles Schoenbaum. A number of you got it right, so everyone’s name went into a cowboy hat and my daughter drew out the winner.

The DVD of Fury At Showdown and Along Came Jones goes to —

Verel McElravy

Congratulations. And thanks to all who sent in a response. By the way, everyone who replied got it right. You folks know your cowboy movies!

Stay tuned, we’ll do this again.

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