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Archive for the ‘Making Movies’ Category

Reprisal tree

From the pressbook for Reprisal! (1956) —

The tree in the film created quite a problem for director George Sherman, both as to finding it and transporting it to the picture’s location site, some 30 miles south of Tucson, Arizona… Sherman and producer Lewis Rachmil first thought they’d have to have such a tree fabricated in order to get what they needed. But one day, while searching for location sites in southern Arizona, they found their tree, on the outskirts of Tubac, the oldest white settlement in Arizona.

An old cottonwood, the tree stood about 30 feet high, with twisted, gnarled limbs and completely leafless. Rachmil and Sherman immediately contacted the owner of the land… and made a deal with him to cut down and remove it to the site they’d chosen for the film backgrounds.

Getting the dead cottonwood to the location site became something of a major problem; a 30-foot tree, complete with limbs and huge trunk, is quite a lot of wood to move en masse. The studio hired a huge flat trailer truck, hoisted the tree aboard by crane and then transported it 40 miles over the highway to a dirt road the company had built to the shooting site… The tree had to be moved at dawn, when there was little traffic.

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Robert Wagner and Virginia Leith on location for White Feather (1955). For some reason, this Delmer Daves-scripted picture has been overlooked. Seek it out.

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Barbara Stanwyck and Allan Dwan chat between scenes on Cattle Queen Of Montana (1954). Dwan could do no wrong during this late phase of his incredible career.

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Dan Duryea and Audie Murphy hanging out while making Ride Clear Of Diablo (1954). Both were at the top of their game on this one.

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On Facebook, Cricket White Green recently posted some old photographs of films being shot at White’s Ranch in Moab, Utah. Here’s a few showing location work for John Ford’s wonderful Wagon Master (1950).

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That’s Hank Worden on the left.

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Left to right: Hank Worden, Charles Kemper and Ward Bond.1509048_10203213393519486_full

The crew and the wagon train. Looks like some reflectors on the right.

Thanks for letting me share these, Cricket!

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John Ford’s Rio Grande (1950) is one of the major 50s Westerns I’ve somehow neglected over the life of this blog. As a small attempt to remedy that, here’s a photo of John Wayne, Maureen O’Hara and the crew shooting a scene. Ford’s not visible here, unfortunately.

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In my mind, Labor Day belongs to Jerry Lewis. His annual Muscular Dystrophy Association (MDA) telethon saw to that.

So today seems like the perfect time to highlight Dean Martin and Jerry Lewis in Pardners (1956), their next-to-last film together.

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Jerry Lewis (from his book Dean And Me: A Love Story): “The best thing about Pardners, for Dean, was — after having been in love with Westerns all his life — he was actually starring in one. If he had known then that in only four years he’d be making Rio Bravo with John Wayne, he would have been in heaven.”

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Lewis: “The best thing for me was learning, from a man named Arvo Ojala, to quick-draw and twirl a pistol…”

Jerry Lewis and Dean Martin

Lewis: “The hardest thing about the picture was the crushing irony of Dean and me singing the film’s title number, written by Jimmy Van Heusen and Sammy Cahn:

You and me, we’ll always be pardners, 
You and me, we’ll always be friends…”

You can support the MDA and their Show Of Strength Telethon here.

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Harry Keller directing Audie Murphy and Joan O’Brien in Six Black Horses (1962).

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Ray Enright and Dorothy Malone on the set of South Of St. Louis (1949).

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Jesse Hibbs directing Gia Scala (left) and Joanna Moore (right) in the Audie Murphy picture Ride A Crooked Trail (1958).

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This video from FilmmakerIQ.com may not teach you anything you don’t already know, but it sure is arranged and presented well.

Up top is Hank Worden and Barry Sullivan in Sam Fuller’s Forty Guns (1957) in CinemaScope.

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Eric Hilliard “Ricky” Nelson
(May 8, 1940 – December 31, 1985)

Ricky Nelson only made one Western, but what a Western he made — Howard Hawks’ Rio Bravo (1959). His birthday seems like a good excuse to post this rather odd behind-the-scenes photo from my favorite cowboy movie.

Incidentally, Ricky’s older brother Dave also made a great Western in ’59, Andre de Toth’s Day Of The Outlaw.

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This week marks the 177th anniversary of the fall of The Alamo. I’d just typed John Dierkes’ name when my wife brought the anniversary to my attention. So as a tiny tribute to those who fought and died in the Texas Revolution, a photo of Dierkes in John Wayne’s The Alamo (1960) seemed an obvious choice.

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And it seemed downright wrong to not include Wayne, too. (Plus, Dimitri Tiomkin turned up in a Jack Benny episode last night.)

As long as this country values freedom and bravery — we still do, don’t we? — we’d better not forget these “Texians.”

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Jay C. Flippen 
(March 6, 1899 – February 3, 1971)

Jay C. Flippen’s birthday seems like a good excuse to post this incredible behind-the-scenes photo from Anthony Mann’s The Far Country (1954). Left to right: Walter Brennan, John McIntire, Flippen and James Stewart.

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