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Archive for the ‘John Wayne’ Category

Happy Easter.

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To mark Easter, here’s John Wayne getting ready for his appearance on Laugh-In.

You know, we can all learn a lesson from Duke: being able to laugh at yourself is a great thing.

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William Holden
(April 17, 1918 – November 12, 1981)

Last night, my daughter mentioned that today is William Holden’s birthday. Don’t tell me she’s not getting a well-rounded education!

Probably one of Hollywood’s greatest stars, Holden made a number of good Westerns. John Sturges’ Escape From Fort Bravo (1953) is one of the best. The last couple reels are really outstanding.

Of course, Western fans these days know him for Pike Bishop in Sam Peckinpah’s The Wild Bunch (1969), a performance right up there with Stewart in The Man From Laramie (1955) and Wayne in The Searchers (1956).

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Recently, I’ve had the extreme pleasure of speaking with Mr. Jack N. Young, a Navy frogman turned stuntman who worked on many of the movies this blog holds dear. Look him up, it’s incredible.

“Blackjack” Young, as he became known, was a busy utility stuntman. He’d hire on for a film and provide what they needed, when they needed it. He worked frequently at Old Tucson, both in the films shot there and as part of their stunt show, and would eventually help run the place.

Transcribing it all is taking a while, and I want to hold onto some of it for the book, but this stuff’s too good to sit on. Among the many films he worked on is my favorite Western, Rio Bravo (1959), which was shot at Old Tucson.

Jack Young: “During the shootout at the end, I came out of the barn and got shot before they blew it up…  Ricky Nelson was a good kid. I play harmonica, and we’d sit around after work or something and sing. God, that kid was good!”

Rio Bravo foreign poster

Young: “Dean shot me in the saloon and I fell out of the loft. (Jack’s stunt inspired the foreign poster above.) We gaffed our own stunts. It was a whole bunch of cardboard boxes. We’d put ‘em together — about three-by-three, probably 10 of ‘em, with a rope tied around them to hold ‘em steady — and then put a tarp over it. Works perfect. I worked before the airbag. I’d do a roof fall, up to about 10 feet, without a pad. I’d hit the ground rolling, almost like a tumbler. I never got hurt.”

Talking to Jack has been an honor, and he’s provided a lot of insight into how these films were made. Watch for more, including a bit on City Of Bad Men (1953), which just showed up in my mailbox today.

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In a way, this is more a thank you note than a review.

Company Of Heroes: My Life As An Actor In The John Ford Stock Company by Harry Carey, Jr. is one of the best of the many books written about John Ford. I’ll even go so far as naming it one of the best books on making movies, period. To have it back in print, from Taylor Trade Publishing, is something to celebrate.

What makes it so good? Harry Carey, Jr. (or Ol’ Dobe, as he was called) was there. When he tells the John Ford stories we’ve heard before — the torture, the bullying, the hidden soft side, etc. — it’s with a depth that’s missing from all the other books (unless they quote from this one). His descriptions of Ford, from his dangling shirt sleeves to his body language, will ultimately add to your appreciation of his work.

Carey covers all the Ford films he appeared in, from 3 Godfathers (1948, shown below) to Cheyenne Autumn (1964), serving in Ford’s Navy film unit, and their personal relationship that spanned from Carey’s birth — Ford and Carey Sr. got drunk while Olive Carey was in labor — to Ford’s death in 1973. He pulls no punches, especially the ones aimed at himself, and relates everything in an easygoing style that feels like he’s telling you these things face-to-face. It’s very funny, often touching, a quick read — and I wish it was twice as long.

The new paperback edition has an prologue from Carey’s children. They seem as happy to have it back in print as I am. If you don’t have the 1992 Scarecrow edition, by all means get this one. Absolutely essential.

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Directed by Lesley Selander
Produced by Herman Schlom
Written by Norman Houston
Director Of Photography: J. Roy Hunt, ASC
Music by Paul Sawtell
Film Editor: Robert Swink

CAST: Tim Holt (Kansas Jones), Richard Martin (Chito Jose Gonzalez Bustamonte Rafferty), Jacqueline White (Priscilla “Dusty” Willis), Reed Hadley (Clint Burrows), Robert Barrat (Sheriff Cole), Robert Clarke (Harry Willis), Tom Tyler (The Ringo Kid), William Tannen (Trump Dixon).

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When unemployed cowhands Holt and Martin come to the aid of Dusty Willis (Jacqueline White) and her brother Harry (Robert Clarke), duking it out with saloon owner Clint Burrows, she gives them jobs on her ranch. Turns out Harry owes Burrows $3,000 in gambling debts, and Harry agrees to let Burrows’ men rustle some of his sister’s cattle to erase the debt. This kicks off a series of events that results in Holt being wanted for a murder he didn’t commit.

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220px-Lesley_SelanderRiders Of The Range was directed by Lesley Selander (right), who did about 20 of the Holts for RKO. Selander worked his way up through the Hollywood studio system, from assistant cameraman to assistant director (learning a great deal from William S. Van Dyke on the Buck Jones pictures) to director. He did excellent work on the Hopalong Cassidy series for Paramount, signed on at Republic for a time, and wound up at RKO for the Holts. Selander worked miracles on the Holt films, turning out superior Westerns on RKO’s tight budgets (that were still more than other B Westerns were working with), getting plenty of production values from the incredible Lone Pine locations. In fact, regardless of budget, his Westerns (such as 1948′s Panhandle or 1955′s Shotgun) are always a cut above.

To me, Lesley Selander’s titles are the best of the Tim Holt series. And Riders Of The Range is a good one, with his usual pacing and focus on almost constant action. There are a number of fistfights, a few gunfights and lots and lots of riding and shooting. Before you know it, the hour’s up and Tim and Chito are riding off. Jacqueline White has a nice part, too.

Adventures_of_Captain_Marvel_(1941_serial)_2Tom Tyler plays The Ringo Kid, an outlaw employed by Burrows for the arranged rustling. A champion weightlifter, Tyler started his movie career as a stuntman in Silent Westerns, progressing to serial roles like Captain Marvel and The Phantom in the early 40s. (The Phantom is an excellent serial.) His career stalled when he was stricken with scleroderma (originally diagnosed as rheumatoid arthritis), which limited him to smaller and smaller supporting roles, often without credit. His friends came to the rescue. John Ford gave him work (They Were Expendable, She Wore A Yellow Ribbon, What Price Glory), Gene Autry put him in a couple episodes of his TV show, and Lesley Selander cast him a few of the later Holts. As Tyler’s condition grew worse, and he could no longer work in movies, he moved in with his sister in Michigan. Tom Tyler passed away in 1954, almost penniless. (Before working together on these RKOs, Tim Holt and Tom Tyler both appeared in John Ford’s Stagecoach in 1939, with John Wayne as The Ringo Kid.)

Jacqueline White: “We shot the picture up at Jack Garner’s ranch, who rented out the place for lots of movies. Tim’s wife was with him and also along was his wife’s dog, a Doberman Pincher! Well, this dog hated Tim!… Richard Martin was a charming guy—real nice and tall! A good looking fellow.”*

Riders Of The Range is the last picture in the Tim Holt Western Classic Collection Vol. 2 from Warner Archive. Like all the films in the three volumes (released so far), it looks terrific. J. Roy Hunt’s camerawork is startling at times, and the DVD-R presents it flawlessly.

* Western Clippings interview

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The folks at ClassicFlix let me write for them every once in a while. Here’s a piece on John Ford’s 3 Godfathers (1948), a pre-1950 Christmas Western that I love dearly, no matter how overly sentimental and sappy you might think it is.

3 Godfather DVD capture

It’s also one of the most beautiful color movies ever made. Easy.

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John Ford’s Rio Grande (1950) is one of the major 50s Westerns I’ve somehow neglected over the life of this blog. As a small attempt to remedy that, here’s a photo of John Wayne, Maureen O’Hara and the crew shooting a scene. Ford’s not visible here, unfortunately.

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My nephew Ethan Jeremy Taylor Webb, 20, was killed in a car wreck last Saturday night. He was laid to rest today in Hillsville, VA, after an incredible memorial service. This image was in my head throughout the day.

Ethan’s girlfriend Pamela is in a coma. If you’re a person of faith, please pray for her.

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A Man Alone Charlotte drive-in

My research associate here at 50 Westerns From The 50s (also known as my wife Jennifer) came across this photo of the Albemarle Road Drive-In Theatre in Charlotte, North Carolina.

A Man Alone (1955) is a very good, very overlooked Republic picture directed by and starring Ray Milland. Mary Murphy and Ward Bond co-star. It was on Olive Films’ release list at one point, but it’s been removed. That’s a real shame. The film wasn’t alone at the Albemarle Road Drive-In — it was paired with John Wayne in The Fighting Kentuckian (1949).

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Gunfight at the OK Corral RLC

VistaVision is a wonderful thing on Blu-ray, and here’s one I’ve been waiting for — Gunfight At The O.K. Corral (1957).

It’s coming from Warners and Paramount on March 11, 2014. Also on the way are a couple John Wayne – Howard Hawks pictures, Hatari! (1962) and El Dorado (1967).

Thanks for the tip, Paula.

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