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Archive for the ‘Forrest Tucker’ Category

58

Hank Worden (born Norton Earl Worden)
July 23, 1901 – December 6, 1992

Let’s salute one of the greatest character actors of them all, Mr. Hank Worden, on his birthday. That’s him on the far left in this still from The Quiet Gun (1956), a fine Regalscope Western starring Forrest Tucker.

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fusilladeatucson

A while back, I brought up an exclusive at Collector’s Choice on some Alan Ladd pictures from Warner Archive. Well, that arrangement has about run its course, and those titles will soon be available through normal Warner Archive channels.

Drum Beat (1954)
Directed by Delmer Daves
Starring Alan Ladd, Audrey Dalton, Charles Bronson and Elisha Cook, Jr.

The Big Land (1957)
Directed by Gordon Douglas
Starring Alan Ladd, Virginia Mayo, Edmond O’Brien, Anthony Caruso, Julie Bishop and John Qualen.

Guns Of The Timberland (1960)
Directed by Robert D. Webb
Starring Alan Ladd, Jeanne Crain, Gilbert Roland and Frankie Avalon

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There’s another exclusive, this time with Oldies.com, on a couple Allied Artists CinemaScope Westerns to be released July 15.

Oregon Passage (1958)
Directed by Paul Landres
Starring John Ericson and Lola Albright
Paul Landres made some solid low-budget Westerns (Frontier Gun, for instance), so I have high hopes for this one. Incidentally, it’s working title was Rio Bravo. Wonder how the change in title went down, with Howard Hawks’ own Rio Bravo in production around the same time?

Gunsmoke in Tucson (1958)
Directed by Thomas Carr
Starring Mark Stevens and Forrest Tucker
I’ve been on the lookout for this one for quite some time, which goes into familiar range war/brothers-on-opposite-sides-of-the-law territory. I’d also love to see Carr’s The Tall Stranger (1957), starring Joel McCrea and Virginia Mayo, turn up on DVD.

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Lippert

A few weeks ago, I broke my glasses and began relying on an old (pre-trifocals) pair while I scrambled for an eye exam and new frames. Reading became very, very difficult. Not the best time to receive a book you’re really excited about. But that’s exactly when Mark Thomas McGee’s Talk’s Cheap, Action’s Expensive: The Films Of Robert L. Lippert, from BearManor Media, turned up in my mailbox.

Lippert Pictures (and related companies) cranked out cheap little Westerns like 1952’s Outlaw Women, along with gems such as Sam Fuller’s I Shot Jesse James (1949) and The Quiet Gun (1957). (They covered the other genres, too.) I’m a big fan of these films and was determined to make my way through the book with or without spectacles, holding it so close I risked paper cuts on my nose.

McGee set the book up very well. The first 80 pages or so read as a biography and history of Lippert and his career, from the theater business to film production. I had a working knowledge of the Lippert story going in, but was always coming upon something I didn’t know. There’s a filmography, arranged by company, that makes up the bulk of the book. And finally, there’s a listing of the Lippert theaters (the closest to me was in Chattanooga, TN).

red desert HS

What’s not to like about a book like this? It’s packed with information on movies I grew up with, movies I love. Rocketship X-M (1950). The Steel Helmet (1951). Superman And The Mole Men (1951). Forty Guns (1957). Showdown At Boot Hill (1958). The Fly (1958). The Alligator People (1959). House Of The Damned (1963). They’re all in here, and you’ll come away with a better understanding of what went into getting them made. Where I think McGee really excelled was in making sure the book, as informative as it is, stayed as fun as the films it’s about. (The same goes for his previous books on Roger Corman and AIP.)

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If there’s a downside to this book, it’s that the filmography points out film after film that you’d love to track down and see. You’ll find a lot of them available from Kit Parker Films and VCI, and others scattered here and there. Some of the Fullers were even given the Criterion treatment. As for the rest, well, happy hunting.

It’s very easy to recommend Mark Thomas McGee’s Talk’s Cheap, Action’s Expensive: The Films Of Robert L. Lippert. Now that my new glasses are in, I’m reading it a second time.

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04_Nevadan, The (1950)_LC

The Sony Movie Channel’s Western Round-Up Marathon serves up a weekend full of excellent Westerns featuring folks like Audie Murphy (The Texican, 1966), Lee Marvin, Burt Lancaster and James Garner. Of particular interest to fans of 50s Westerns is a Sunday morning devoted to Randolph Scott.

Sunday, January 26

10 AM The Nevadan (1950) Gordon Douglas directs Scott, Dorothy Malone, Forrest Tucker, Frank Faylen and George Macready. The Cinecolor looks OK, but it takes a lot more than an oddball color process to spoil Lone Pine.

11:30 AM The Tall T (1957) The second of the Scott-Boetticher-Kennedy Ranown Cycle (the first was 1956’s Seven Men From Now) is one of the best, maybe the best. Richard Boone is terrific and Skip Homeier gets his face blown off.

1 PM Comanche Station (1960) The last of the Ranowns, with Boetticher and Charles Lawton Jr. shooting Lone Pine in CinemaScope.  Claude Akins is the bad guy this time, and Skip Homeier’s back for good measure.

While we’re on the subject of Randolph Scott, Henry Cabot Beck brought a Budd Boetticher interview to my attention. Good stuff.

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A blogger friend of mine did a year-end wrap-up of his favorite DVD releases of the year. I think a lot of my friend, and imitation being the sincerest form of flattery, I decided to steal his idea. Here’s my Top Five. Comment away!

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5. Ambush At Tomahawk Gap (1953, Columbia) The work of Fred F. Sears, a prolific director at Columbia, deserves a look, and this is a tough, tight little Western that nobody seems to remember. John Derek’s good and Ray Teal gets a sizable part.

PDVD_000-156

4. Randolph Scott Western Collection (Various, TCM/Sony) Four Columbia Scotts — Coroner Creek (1948), The Walking Hills (1949), The Doolins Of Oklahoma (1949) and 7th Cavalry (1956, above) — go a long way toward making all his 40s and 50s Westerns available on DVD.

GunsightRidge

3. Movies 4 You Western Classics (Various, Shout Factory) Four medium-budget 50s Westerns — Gun Belt (1953), The Lone Gun (1954), Gunsight Ridge (1957) and Ride Out For Revenge (1957) — for an amazing price.  I’d love to have a hundred sets like this.

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2. Shane (1953, Paramount) There was so much controversy about the aspect ratio — the studio-imposed 1.66 vs. the original 1.33 George Stevens shot it in — that we all forgot to talk about what a lovely Blu-ray was ultimately released (in 1.33).

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1. Showdown At Boot Hill (1958, Olive Films) This is probably the worst movie on this list, but my favorite release. The very thought of a Regalscope Western presented widescreen and in high definition makes me very, very happy. Olive Films promises the best of the Regals, The Quiet Gun (1956), in 2014 — which you can expect to see on next year’s list.

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Picture 20

Olive Films have announced a few titles they’ll have to us in 2014. There are three 50s Westerns in there, and they’re good ones.

Woman They Almost Lynched (1953)
Directed by Allan Dwan
Cast: John Lund, Brian Donlevy, Joan Leslie
Dwan directs a sort-of spoof for Repubic. Good stuff.

Stranger At My Door (1956)
Directed by William Witney
Cast: Macdonald Carey, Patricia Medina, Skip Homeier, Slim Pickins
This film should be much better known than it is. The scene with the horse (if you’ve seen it, you’ll know what I mean) is Witney at his best.

The Quiet Gun (1957)
Directed by William F. Claxton
Cast: Forrest Tucker, Lee Van Cleef, Mara Corday, Jim Davis, Hank Worden
Maybe the best Regalscope Western. I’m dying for this one!

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Depending on your outlook, this latest set from Sony and Turner Classics might be seen as a prayer answered. The Randolph Scott Westerns Collection gathers up four really good ones for a September release:

Coroner Creek (1948) This tough Cinecolor picture from Ray Enright, based on a Luke Short novel, is one of Scott’s best pre-Boetticher Westerns. His character here is practically a prototype for the burned-out, obsessed guy we know from the Ranowns.

The Walking Hills (1949) is John Sturges’ first Western. Scott is joined by Ella Raines, Edgar Buchanan, Arthur Kennedy and folk singer Josh White. The crisp black and white location work in Death Valley is really something to see.

The Doolins Of Oklahoma (1949, above) comes from Gordon Douglas. George Macready, Louise Allbritton, John Ireland and Noah Beery Jr. are on hand. Douglas has Yakima Canutt on his second unit, and as you’d expect, the action scenes are excellent.

7th Cavalry (1956) comes up on this blog quite often, as we’ve warned each other about some lousy DVDs. It’s a Joseph H. Lewis cavalry picture in Technicolor and widescreen (1.85), with Barbara Hale, Jay C. Flippen, Frank Faylen, Leo Gordon, Denver Pyle, Harry Carey Jr. and Michael Pate. It’s not as strong as A Lawless Street (1955), Scott and Lewis’ previous collaboration, but the cast and director alone make it worthwhile. Cross your fingers that it’s presented 16×9.

Picture 38

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