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Archive for the ‘Festivals, screenings’ Category

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This one’s cool, folks. A 35mm print of Colorado Territory (1949) will run at San Francisco’s Yerba Buena Center For The Arts on Sunday, July 27 as part of their Invasion Of The Cinemaniacs series.

I don’t know about you, but Raoul Walsh’s Colorado Territory is one of my favorite Westerns. It’s the movie that made me go nuts over Joel McCrea. And Virginia Mayo is absolutely wonderful in it.

Jonathan Knapp, who looks at this blog on occasion, is the cinemaniac who picked it. Boy, do I wish I could get to this one.

And another thing: I’ve been waiting months to use that artwork (above)!

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Searchers screenng 1

Short notice, for sure. But certainly worth your while. And I’d be wasting my time to think I needed to tell you how great this film is.

Click on either image for ticket information.

Searchers screenng 2

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the-searchersJohn Ford’s The Searchers (1956) might be the finest film ever made, it’s almost certainly the greatest Western ever made, and it’s easily John Wayne’s best performance. All of which make it a great reason to head to Durham’s Carolina Theater this Friday, May 2.

At 7PM is John Boorman’s Deliverance (1972); The Searchers will start around 9:30. If you think you might make it out, let me know. It’d be fun to say hello.

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OK at AFI

Today (Monday), Tuesday and Thursday, the AFI Silver Theatre in Silver Spring, MD will run a 35mm print of John Sturges’ Gunfight At The O.K. Corral (1957). It’s part of a Burt Lancaster series that’s been going on since February.

Of course, the new Blu-ray of Gunfight is wonderful, but the chance to see it on film is something not to be missed.

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If I ever had the chance to organize a 50s Westerns retrospective (something I’d love to do), this is certainly one of the evenings I’d set up: Fritz Lang’s Rancho Notorious (1952) paired with Nick Ray’s Johnny Guitar (1954). I can’t think of a better night at the movies.

It’s especially cool that Rancho Notorious is a 35mm print. If you make it out to The Castro Theatre in San Francisco on April 23, have a box of Raisinets for me.

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Another day, another reason I’m living on the wrong end of the country. UCLA will present a very thorough Anthony Mann retrospective, covering all the noir and Westerns we know and love, at the Billy Wilder Theater starting this week. Click on Gary Cooper for details.

The 50s Westerns include:
The Furies (1950) January 31
Devil’s Doorway (1950) March 3
Winchester ’73 (1950) March 15
The Naked Spur (1953) February 9
The Far Country (1954) March 23
The Man From Laramie (1955) February 5
The Last Frontier (1956) February 21
The Tin Star (1957) March 30
Man Of The West (1958) March 30

1955 The man from Laramie - cropped

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The third World 3-D Film Expo kicks off September 6, at the Egyptian Theatre, with a rare 3-D screening of Hondo (1954).  Above, that’s John Wayne on the ladder watching as a shot it being set up (that gigantic thing on the lift is the Warner Bros. All Media Camera).

Other 3-D Westerns being shown during the expo: Douglas Sirk’s Taza, Son Of Cochise and Budd Boetticher’s Wings Of The Hawk (both 1953). Julie Adams will be on hand for Wings Of The Hawk.

Who knows how many more 35mm 3-D presentations we can count on?

Hondo 3D expo cropped

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Allan Dwan sketch cropped

Director Allan Dwan’s career was as old as the Movies themselves, and many of the early technical developments were his doing. Going into the mid-50s, he was still making innovative, unique, personal films — usually for smaller studios that would leave him alone and let him do what he did best.

I went Wig City over Allan Dwan’s films of 50s, thanks to DVDs of his work from VCI, and that helped spawn this blog. So I was really stoked to hear about The Museum of Modern Art’s Dwan series — which will include several of those Westerns.

From the MoMA web site: The Museum of Modern Art presented a major retrospective of Dwan’s films in 1971, with Dwan in attendance, and while another exhibition was certainly due after 42 years, this series was prompted by the publication of Frederic Lombardi’s definitive study of Dwan’s work, Allan Dwan and the Rise and Decline of the of the Hollywood Studios (McFarland, 2013).

If you can make it to any of these, by all means do so. The Westerns are:

June 14-15, 18
Frontier Marshal (1939)
With Randolph Scott, Nancy Kelly, Cesar Romero, John Carradine, Ward Bond.
This was once almost impossible to see (the bootleg tape I had of it was impossible to see). Another take on the O.K. Corral story. I prefer Randolph Scott with more age on him, but this is a really cool film.

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June 24-25
Woman They Almost Lynched (1953)
With Audrey Totter, Joan Leslie, John Lund, Brian Donlevy, Ben Cooper.
Dwan made a string of films for Republic that are worth seeking out (Olive Films, you reading this?), with Sands Of Iwo Jima (1949) being the best known. Dwan approaches this as a spoof — evidently, he didn’t see any other way — and the results are terrific.

June 29-30
The Restless Breed (1957)
With Scott Brady, Anne Bancroft, Jim Davis, Scott Marlowe, Evelyn Rudie.
Dwan’s last Western. A revenge tale gets a light comic touch.

Picture 45

July 3,5
Tennessee’s Partner (1955)
With John Payne, Rhonda Fleming, Ronald Reagan, Coleen Gray.
John Alton’s Superscope cinematography almost steals the show, making the Iverson Ranch look like the most beautiful place on earth.

July 3, 6
Silver Lode (1954)
With John Payne, Dan Duryea, Lizabeth Scott, Harry Carey, Jr.
A key 5os Western, and the damnedest McCarthy comment you’ve ever seen. Again, Alton and his cameras roam the ranches of Hollywood to amazing results.

Be sure to look at the complete listing. I highly recommend Slightly Scarlet (1956), an incredible Technicolor, Superscope film noir shot by John Alton.

Thanks to Stephen Bowie.

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I get to publicize a lot of great screenings on this blog, and I’m happy to be able to actually attend one for once.

This Friday at the Carolina Theater in Durham, NC, they’ll run Delmer Daves’ 3:10 To Yuma (1957). It stars Glenn Ford, Van Heflin and Felicia Farr. It’s based on a story by Elmore Leonard. And it’s surely one of the best Westerns of the 50s. (Clint Eastwood’s 1973 High Plains Drifter screens at 7; Yuma follows it.)

Jim Carl at the Carolina does a great job of throwing great old movies on the big screen — on film if possible. This is a bit of an experiment with a Western. Let’s hope there’s a big turnout. If anyone’s planning on attending, let me know — and let’s say hello.

 

 

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