Columbia has come through with another Durango Kid picture, The Hawk Of Wild River (1952). It’s one of the later entries in the series, but it’s got a lot going for it: Charles Starrett and Smiley Burnette, of course, along with Clayton Moore and Jock Mahoney and direction from Fred F. Sears.
Archive for the ‘Clayton Moore’ Category
Everybody’s talking about The Lone Ranger (2013). They don’t like it. They like it. What’s that stuff on Johnny Depp’s head?
A good friend of this blog, Bob Madison — we tend to email back and forth about our love of The Lone Ranger — called the new film a “glorious mess” and admitted he liked it. See his blog for more.
Kids line up outside an Austin theater to meet Clayton Moore. He was promoting The Lone Ranger (1956), the first of two features tied to the TV show.
Bob Madison (who moseys through this blog quite a bit) and I were emailing back and forth yesterday about Clayton Moore and The Lone Ranger. I remembered this page (inside back cover) from the 1956 Dell Giant comic The Lone Ranger Movie Story and thought it was worth sharing.
The article is called “Filming The Lone Ranger Movie.” Click and it gets large enough that even I can read it.
The Lone Ranger made its radio debut 80 years ago today. To mark the occasion, here’s a lobby card from the 1956 feature version of the TV series starring Clayton Moore and Jay Silverheels — a modest little Western I’ve loved since I was a kid.
Here’s Gloria Talbott, Fred MacMurray and the great John Dierkes in The Oregon Trail (1959), which after much speculation and lots of blog-commenting time, is finally available from the Fox Cinema Archives MOD program. As one of the CinemaScope films Lippert Pictures produced for 20th Century-Fox in the late 50s (The Fly was one, too), it’s something I’m looking forward to.
Though I’m thrilled about this release, which has been officially listed as widescreen, I have a gripe. If what you see at left is indeed what the packaging looks like, I’m disappointed. A quick Google image search turns up better stuff than that — in color, too. Maybe they should reach out to the collector community — namely, us — for access to better material.
Thanks to John Knight for the tip.
On a completely unrelated note: my daughter and I watched a couple episodes of The Lone Ranger last night — one with James H. Griffith and the other with Hank Worden. What a treat.
September 14, 1914 – December 28, 1999
Clayton Moore spent so much time saying hello to kids and signing autographs, and I never got to meet him. What a drag.
To me, The Lone Ranger TV show and the features (The Lone Ranger, 1956, and 1958’s The Lone Ranger And The Lost City Of Gold) are pure joy. There are so many ways you could criticize them, yet they’re all perfect.
Clayton Moore (from his autobiography, I Was That Masked Man): “The greatest thing about working on the feature was that the pace was much more leisurely. On the series, we would shoot at least 12 pages of script a day, sometimes as much as 15 to 18, but for the film, we would shoot maybe four or five. That’s still working pretty fast compared to some productions, but it seemed like a vacation to us.”
Of course, he did so much more over the course of his career, like those great Republic serials, but how can you top being The Lone Ranger?