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Archive for the ‘Allan Dwan’ Category

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Robert Wagner and Virginia Leith on location for White Feather (1955). For some reason, this Delmer Daves-scripted picture has been overlooked. Seek it out.

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Barbara Stanwyck and Allan Dwan chat between scenes on Cattle Queen Of Montana (1954). Dwan could do no wrong during this late phase of his incredible career.

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Dan Duryea and Audie Murphy hanging out while making Ride Clear Of Diablo (1954). Both were at the top of their game on this one.

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I really love Allan Dwan’s Tennessee’s Partner (1955).

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I’ve always enjoyed Dennis’s blog dedicated to the Iverson Movie Ranch. It’s a frequent stop for me. Earlier this month, he posted some stuff on Tennessee’s Partner (1955) and its extensive use of the Iverson Ranch. Cinematographer John Alton did a masterful job on this one, and I doubt the ranch ever looked better than it did here.

If you’re new to this blog, be prepared to lose an hour or two or three.

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Olive Films have announced a few titles they’ll have to us in 2014. There are three 50s Westerns in there, and they’re good ones.

Woman They Almost Lynched (1953)
Directed by Allan Dwan
Cast: John Lund, Brian Donlevy, Joan Leslie
Dwan directs a sort-of spoof for Repubic. Good stuff.

Stranger At My Door (1956)
Directed by William Witney
Cast: Macdonald Carey, Patricia Medina, Skip Homeier, Slim Pickins
This film should be much better known than it is. The scene with the horse (if you’ve seen it, you’ll know what I mean) is Witney at his best.

The Quiet Gun (1957)
Directed by William F. Claxton
Cast: Forrest Tucker, Lee Van Cleef, Mara Corday, Jim Davis, Hank Worden
Maybe the best Regalscope Western. I’m dying for this one!

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You can count on VCI Entertainment to treat an old cowboy movie with respect, and they’ve brought us some terrific 50s Westerns (often in cahoots with Kit Parker). A few recommendations: Silver Lode (1954), Stranger On Horseback (1955), Darn Good Westerns Volumes 1 and 2.

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Director Allan Dwan’s career was as old as the Movies themselves, and many of the early technical developments were his doing. Going into the mid-50s, he was still making innovative, unique, personal films — usually for smaller studios that would leave him alone and let him do what he did best.

I went Wig City over Allan Dwan’s films of 50s, thanks to DVDs of his work from VCI, and that helped spawn this blog. So I was really stoked to hear about The Museum of Modern Art’s Dwan series — which will include several of those Westerns.

From the MoMA web site: The Museum of Modern Art presented a major retrospective of Dwan’s films in 1971, with Dwan in attendance, and while another exhibition was certainly due after 42 years, this series was prompted by the publication of Frederic Lombardi’s definitive study of Dwan’s work, Allan Dwan and the Rise and Decline of the of the Hollywood Studios (McFarland, 2013).

If you can make it to any of these, by all means do so. The Westerns are:

June 14-15, 18
Frontier Marshal (1939)
With Randolph Scott, Nancy Kelly, Cesar Romero, John Carradine, Ward Bond.
This was once almost impossible to see (the bootleg tape I had of it was impossible to see). Another take on the O.K. Corral story. I prefer Randolph Scott with more age on him, but this is a really cool film.

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June 24-25
Woman They Almost Lynched (1953)
With Audrey Totter, Joan Leslie, John Lund, Brian Donlevy, Ben Cooper.
Dwan made a string of films for Republic that are worth seeking out (Olive Films, you reading this?), with Sands Of Iwo Jima (1949) being the best known. Dwan approaches this as a spoof — evidently, he didn’t see any other way — and the results are terrific.

June 29-30
The Restless Breed (1957)
With Scott Brady, Anne Bancroft, Jim Davis, Scott Marlowe, Evelyn Rudie.
Dwan’s last Western. A revenge tale gets a light comic touch.

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July 3,5
Tennessee’s Partner (1955)
With John Payne, Rhonda Fleming, Ronald Reagan, Coleen Gray.
John Alton’s Superscope cinematography almost steals the show, making the Iverson Ranch look like the most beautiful place on earth.

July 3, 6
Silver Lode (1954)
With John Payne, Dan Duryea, Lizabeth Scott, Harry Carey, Jr.
A key 5os Western, and the damnedest McCarthy comment you’ve ever seen. Again, Alton and his cameras roam the ranches of Hollywood to amazing results.

Be sure to look at the complete listing. I highly recommend Slightly Scarlet (1956), an incredible Technicolor, Superscope film noir shot by John Alton.

Thanks to Stephen Bowie.

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Dan Duryea
(January 23, 1907 – June 7, 1968)

Let’s all remember Dan Duryea on his birthday. Here he is (as Waco Johnnie Dean) with Shelley Winters in Winchester ’73 (1950), one of the best Westerns of the 50s. Today would be a good day to pay your respects at the wonderful web site Dan Duryea Central.

Duryea was only 61 when he passed away, but he managed to squeeze a lot of terrific movies into those years. (Of late, I’ve become weirdly enamored of his odd performance in 1957’s Night Passage.)

Duryea (from a Hedda Hopper interview): “I thought the meaner I presented myself, the tougher I was with women, slapping them around in well produced films where evil and death seem to lurk in every nightmare alley and behind every venetian blind in every seedy apartment, I could find a market for my screen characters.”

Below, he appears in a personal favorite, Silver Lode (1954), with Stuart Whitman and Alan Hale, Jr.

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Maybe you missed an Allan Dwan picture last week. Or you just realized you’ve gone all these years without a copy of Stranger On Horseback (1955). Well, now’s the time to right these, and other, wrongs — the fine folks at VCI Entertainment have extended their Annual Holiday Sale. Here’s how they tell it —

Due to the high volume of traffic on our website, we are extending our Annual Holiday Sale through December 5th at 11:59 pm (CST). All DVDs and Blu-rays are 50% off our suggested retail price! Visit www.vcientertainment.com and enter coupon code CYBEREXT on the “Checkout” page to receive your discount. If you have any problems placing your order, please call 800-331-4077 during regular business hours (M-F 8:30 am – 5:30 pm CST) and we will honor the coupon over the phone.

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This time of year, it seems like everybody’s trying to make you spend your money. Pre-holiday this, Black Friday that, spend the night at Walmart to save five bucks on a ten-dollar toaster. It’s pretty disgusting.

That said, I really think you should take advantage of VCI’s annual Holiday Sale.

As an example, you can get Silver Lode (1954), one of my favorite 50s Westerns, for just $2.40. If you haven’t seen this film, please go get one.

VCI boasts a number of cool 50s cowboy pictures, along with more Allan Dwan stuff (Slightly Scarlet, etc.), their Forgotten Noir series and tons of cool British films (ever seen Genevieve?). Good stuff.

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As we all know, and whether we really like it or not, the manufacture-on-demand DVD business is how we’ll feed our 50s Westerns habit in the future. So I’m pretty stoked that Fox has hopped on board with The Fox Cinema Archives.

In the first batch of titles is Van Heflin in Hugo Fregonese’s The Raid (1954). It costars Anne Bancroft, Lee Marvin and Richard Boone. Also appearing are Peter Graves, John Dierkes, Kermit Maynard and William Schallert. I’d watch Van Heflin brush his teeth, so take my opinion with a block of salt. It’s a good picture.

Also coming is Frontier Marshal (1939), Allan Dwan’s take on the gunfight at the O.K. Corral, starring Randolph Scott and Cesar Romero. Very highly recommended.

So now let’s load the comments section with all the Fox pictures we want.

Thanks, as always, to Paula for the tip.

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Here’s John Payne celebrating his birthday on the set of Tennessee’s Partner (1955).

Left to right: Rhonda Fleming, Allan Dwan, Angie Dickinson, John Alton (kneeling), Ronald Reagan, Payne, Colleen Gray (in bonnet) and Benedict Bogeau.

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