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Archive for the ‘1951’ Category

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Directed by Lesley Selander
Produced by Herman Schlom
Screen Play by Adele Buffington
Story by Carroll Young
Director Of Photography: J. Roy Hunt, ASC
Music by Paul Sawtell
Film Editor: Samuel E. Beetley, ACE

CAST: Tim Holt (Tim Holt), Richard Martin (Chito Jose Gonzalez Bustamonte Rafferty), Gail Davis (Terry Muldoon), Hugh Beaumont (Brad Roberts), Mari Blanchard (Stella), George Nader (Paul Manning) Robert J. Wilke (Bellew), Cliff Clark (Terence Muldoon), Russell Hicks (Colonel Marvin), Robert Bray (Steve), Fred Graham (Joe).

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This time around, Tim Holt and Chito get involved with the transcontinental telegraph. Terry Muldoon (Gail Davis) and her father are running the wire westward, and its completion will close down a number of military outposts. This will destroy Paul Manning’s supply business, and keep him from paying off his loans to Bran Roberts (Hugh Beaumont). Roberts and his bunch (which naturally includes Robert J. Wilke) take matters into their own hands —a “Gang-Stooge Terror Plot,” according to the ads — and eventually run afoul of Tim and Chito.

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Overland Telegraph (1951) is one of my favorite Holt pictures. It’s a lot of fun to watch Hugh Beaumont as a bad guy. Mari Blanchard doesn’t have much to do but look pretty as Nader’s saloon-girl fiancé. But having Gail Davis on hand is a real asset, displaying a bit of the riding and shooting skills that would make her such a great Annie Oakley on TV. The Iverson Ranch is featured quite a bit, too.

b70-5266Gail Davis: “It was a good part for the girl, not just one of those smile into the sunset pictures. Tim was really cute, he had a friendly personality but was a bit of a kidder. So was Dick Martin, but both were very conscientious about their pictures.”*

Of course, director Lesley Selander and editor Samuel Beetley deserve a lot of the credit. They keep things moving at such a clip that the hour’s over before you know it. If you’ve ever seen a lousy B Western, you know that in the wrong hands, an hour can last forever. Selander is such a pro and has such a flair for these things that his films stand apart from the rest. He should’ve written a textbook on film pacing.

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Overland Telegraph is part of Warner Archive’s fourth volume of the Tim Holt Western Classics Collection. It has several of the earlier entries and the last few, providing a great overview of the series. B Westerns didn’t come any better than these. As with the previous sets, the transfers are exquisite — a real tribute to the care and craftsmanship that went into these films. Highly, highly recommended (as if you hadn’t figured that out already).

SOURCE: * Westerns Women by Boyd Magers and Michael G. Fitzgerald.

 

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RIP, Mickey Rooney.

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Mickey Rooney
(September 23, 1920 – April 6, 2014)

After a show business career longer than most people live, Mickey Rooney has passed away. Here’s the half sheet for My Outlaw Brother (1951).

Tonight I feel like watching It’s A Mad Mad Mad Mad World (1963). “We’re gonna get no place if we’re gonna continue listening to this old bag.”

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These sets from Timeless Media Group are getting around to the films Autry made in the 50s. I know Gene was also on TV at this time, and these probably weren’t getting as much attention as they had, but I’ve always liked them. (I don’t give Autry enough time on this blog. Sorry, Gene.)

This fifth volume, which is available now, includes:
Loaded Pistols (1949)
Gene Autry And The Mounties (1951)
Night Stage To Galveston (1952)
Goldtown Ghost Riders (1953)

These have looked great so far and have boasted some cool extras. Will have a review of this one soon.

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This is a big, big deal. Warner Archive has come through with the fourth volume in their Tim Holt series, giving us the beginning, and end, of Holt’s time at RKO. It’s a three-disc, nine-movie set that includes Wagon Train (1940, which got the series off to a terrific start), The Fargo Kid (1940), Cyclone On Horseback (1941), Riding The Wind (1942), Land Of The Open Range (1942), Thundering Hoofs (1942), Overland Telegraph (1951) and Trail Guide (1952). 

Overland Telegraph (seen in the Mexican lobby card above) is a particularly good one, giving Holt and Richard Martin a top director, Lesley Selander, and really good cast to work with: Gail Davis, Hugh Beaumont (as the bad guy!), Mari Blanchard, George Nader and Robert J. Wilke.

The set is available now. Thanks to everyone at Warner Archive for their dedication to getting these wonderful little films out there.

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Three Monogram cowboys ride tall in the latest volume of Warner Archive’s Monogram Cowboy Collection. This time, some of the films creep into the 50s. As we all know, the B Western was in its last days.

Expect lots of action, expertly transferred. These things always look terrific. Here’s what you get:

Johnny Mack Brown
Trigger Fingers (1946), Whistling Hills (1951) and Man From The Black Hills (1952);

Jimmy Wakely
Saddle Serenade (1945) and Across The Rio Grande (1949)

Whip Wilson
Gunslingers (1950), Silver Raiders (1950), Arizona Territory (1950) and Lawless Cowboys (1951).

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Randolph Scott
(January 23, 1898 – March 2, 1987)

Happy birthday to my favorite cowboy star, Randolph Scott. He’s seen above in Man In The Saddle (1951), hanging out with Tennessee Ernie Ford. This is an excellent Scott picture, which you can read all about in a recent post over at Riding The High Country. Or you can stick close to home with A Lawless Street (1955) here.

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Why go to Walmart and get punched in the face over a cheap toaster when you can sit at home and buy cowboy movies? Click the image above and have at it.

And if you haven’t done it yet, do yourself a favor and get Westward The Women (1951). If nothing else, it’ll give you something to be thankful for next Thanksgiving.

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Do you remember our Character Actor Of The DayJohn Dierkes, as Dr. Chapman in The Thing (1950)? He’s one of the scientists who realizes that despite all that science can learn from the Thing, it needs to die. Or maybe you know him as The Tall Soldier in The Red Badge Of Courage (1951, above, with Audie Murphy) or from Shane (1953) or The Alamo (1960) or One-Eyed Jacks (1961). Or even as one of the mutants in The Omega Man (1973).

Dierkes’ path to the movies was a strange one. An economist, he joined the Red Cross during World War II and met John Huston in England. The director urged him to give the movies a shot, but after the war Dierkes went to work for the U.S. Treasury. They sent him to Hollywood as an advisor on To The Ends Of The Earth (1948). Two years later, Huston brought him back to California for The Red Badge Of Courage (1951). He took a leave of absence from the Treasury Department, but never went back.

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He brought a lot to so many pictures. His scene in The Left-Handed Gun (1958, he’s right behind Paul Newman), as he reads Corinthians 13 to Billy The Kid, never fails to give me goosebumps. It’s a moment of grace in a film that’s all over the place.

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Only The Valiant OS

Gregory Peck was loaned out to Warner Bros. for Only The Valiant (1951), a picture produced by James Cagney’s brother William and directed by Gordon Douglas — and coming on DVD and Blu-ray from Olive Films in August.

The combination of Gordon Douglas and Ward Bond is hard to resist, but I’ve always had a hard time with this film — along with anything else the tragic Barbara Payton appeared in. To me, she personifies the dark side of Hollywood, and it’s hard to disconnect her sad story from the image on the screen.

The cast also includes Gig Young, Lon Chaney, Michael Ansara and John Doucette. It’s based on a book by Charles Marquis Warren. And though Gregory Peck never missed a chance to knock the film (granted, it’s a long way from 1950′s The Gunfighter), it’s a pretty solid early-50s cavalry picture.

The old release from Lions Gate had to be one of the worst-looking DVDs ever released — almost as bad as the various dollar-store copies of One-Eyed Jacks (1961) I’ve wasted my money on. I’m sure we can count on Olive Films to give us something worth looking at.

Thanks, Paula.

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Okay, so it’s a contemporary bullfighting picture. But for fans of 50s Westerns, it couldn’t be more significant. Bullfighter And The Lady (1951) is where director Budd Boetticher really came into his own.

Produced by John Wayne and released by Republic, it was hacked from 124 to 87 minutes — and later restored to Budd’s cut. It’s a terrific film, and its release on DVD and Blu-ray, from Olive Films in July, is a very big deal.

Of course, Wayne and Boetticher’s next picture together was Seven Men From Now (1956).

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